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The Greek Revolution and the Violent Birth of Nationalism
"At the beginning of the nineteenth century, Greece was not a country-it was only a vague idea. The territories we now call Greece were part of the Ottoman Empire, though some of its islands were ruled at various points by the Venetians, the French, the Russians, and the British. The population was a mix of religious and ethnic groups including Muslims, Orthodox Christians, Catholics, and Jews, who spoke Albanian, Turkish, Vlach dialects, and numerous other varieties of Greek. But by 1830, Greece was a united, independent, and Orthodox Christian country that had made a global impact in the age of empires. In The Greek Revolution: A New History, Yanni Kotsonis tells the story of the 1821 revo...
Russia, Europe, and the Rule of Law
An international team of authors looks at the role law has played in the transformation of Russia and evaluates the legal achievements of the Putin administration against the background of Russia's changing relationship with Europe.
Soviet Politics of Emancipation of Ethnic Minority Woman
This book provides a new perspective through a closer look on “Other”, i.e. ethnic minority women defined by the Soviet documents as natsionalka. Applying decolonial theory and critical race and whiteness studies, the book analyzes archive documents, early Soviet films and mass publications in order to explore how the “emancipation” and “culturalization” of women of “culturally backward nations” was practiced and presented for the mass Soviet audience. Whilst the special focus of the book lies in the region between the Volga and the Urals (and Muslim women of the Central Eurasia), the Soviet emancipation practices are presented in the broader context of gendered politics of modernization in the beginning of the 20th century. The analysis of the Soviet documents of the 1920s-1930s not only subverts the Soviet story on “generous help” with emancipation of natsionalka through uncovering its imperial/colonial aspects, but also makes an important contribution to the studies of imperial domination and colonial politics. This book is addressed to all interested in Russian and Eurasian studies and in decolonial approach to gender history.
Russian Modernity
Russian Modernity places Imperial and Soviet Russia in a European context. Russia shared in a larger European modernity marked by increased overlap and sometimes merger of realms that had previously been treated as discrete entities: the social and the political, state and society, government and economy, and private and public. These were attributes of Soviet dictatorship, but their origins can be located in a larger European context and in the emergence of modern forms of government in Imperial Russia.
Human Rights and Revolutions
Now in a revised and updated edition with added original chapters, this acclaimed book provides an interdisciplinary perspective on the complex links between revolutionary struggles and human rights discourses and practices. Covering events as far removed from one another in time and space as the English Civil War, the Parisian upheavals of 1789, Latin American independence struggles, and protests in late twentieth-century China, the contributors explore the paradoxes of revolutionary and human rights projects. The book convincingly shows the ways in which revolutions have both helped spur new advances in thinking about human rights and produced regimes that commit a range of abuses. Providi...
Renovating Russia
Renovating Russia is a richly comparative investigation of late Imperial and early Soviet medico-scientific theories of moral and social disorder. Daniel Beer argues that in the late Imperial years liberal psychiatrists, psychologists, and criminologists grappled with an intractable dilemma. They sought to renovate Russia, to forge a modern enlightened society governed by the rule of law, but they feared the backwardness, irrationality, and violent potential of the Russian masses. Situating their studies of degeneration, crime, mental illness, and crowd psychology in a pan-European context, Beer shows how liberals' fears of societal catastrophe were only heightened by the effects of industri...
From Media Systems to Media Cultures
Proposes an original framework for comparative media research, and uses it to provide fascinating insights into television under communist rule.
Sugarland
In this historical monograph on non-urban communist Albania, Artan Hoxha discusses the ambitious development project that turned a swampland into a site of sugar production after 1945. The author seeks to free the history of Albanian communism from the stereotypes that still circulate about it with stigmas of an aberration, paranoia, extreme nationalism, and xenophobia. This micro-history of the agricultural and industrial transformation of a zone in southeastern Albania, explores a wide range of issues including modernization, development, and social, cultural, and economic policies. In addition to analyzing the collectivization of agriculture, Hoxha shows how communism affected the lives o...
Lost to the Collective
As an act of unbridled individualism, suicide confronted the Bolshevik regime with a dilemma that challenged both its theory and its practice and helped give rise to a social science state whose primary purpose was the comprehensive and rational care of the population. Labeled a social illness and represented as a vestige of prerevolutionary culture, suicide in the 1920s raised troubling questions about individual health and agency in a socialist society, provided a catalyst for the development of new social bonds and subjective outlooks, and became a marker of the country's incomplete move toward a collectivist society. Determined to eradicate the scourge of self-destruction, the regime cre...
Feeling Revolution
Stalin-era cinema was designed to promote emotional and affective education. The filmmakers of the period were called to help forge the emotions and affects that befitted the New Soviet Person - ranging from happiness and victorious laughter, to hatred for enemies. Feeling Revolution shows how the Soviet film industry's efforts to find an emotionally resonant language that could speak to a mass audience came to centre on the development of a distinctively 'Soviet' cinema. Its case studies of specific film genres, including production films, comedies, thrillers, and melodramas, explore how the genre rules established by Western and prerevolutionary Russian cinema were reoriented to new emotio...
