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Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel
In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel , Yaron Shemer presents the most comprehensive and systematic study to date of Mizrahi (Oriental-Jewish or Arab-Jewish) films produced in Israel in the last several decades. Through an analysis of dozens of films the book illustrates how narratives, characters, and space have been employed to give expression to Mizrahi ethnic identity and to situate the Mizrahi within the broader context of the Israeli societal fabric. The struggle over identity and the effort to redraw ethnic boundaries have taken place against the backdrop of a long-standing Zionist view of the Mizrahi as an inferior other whose “Levantine” cul...
The Struggle for Peace
The determination of ordinary people to end regional and global conflicts is powerful despite the forces opposing them. The Struggle for Peace explores how average citizens on both sides of the Israeli-Palestinian conflict worked for peace in the late twentieth century. Essays by noted scholars are juxtaposed with profiles of individual Israelis and Palestinians involved in peace activism. What emerges is a unique perspective on the prospects for peace in this troubled area. Coordinated with a documentary film of the same name, the book is designed as a tool for the study of conflict resolution generally and the Israeli-Palestinian conflict in particular. The twelve original essays deal with...
Bountiful Deserts
Set in the arid lands of northwestern Mexico, this book foregrounds the knowledge of Indigenous peoples who harvested the desert as bountiful in its material resources and sacred spaces. Author Cynthia Radding uses the tools of history, anthropology, geography, and ecology to re-create the means of defending Indigenous worlds through colonial encounters, the formation of mixed societies, and the direct conflicts over forests, grasslands, streams, and coastal estuaries that sustained wildlife, horticulture, foraging, hunting, fishing, and--after European contact--livestock and extractive industries. She returns in each chapter to the spiritual power of nature and the enduring cultural significance of the worlds that Indigenous communities created and defended.
Remembering Jews in Maghrebi and Middle Eastern Media
This volume examines the cultural legacy of Jewish emigration from the Maghreb and the Middle East in the years following 1948. Drawing on the remarkable cinematic and literary output of the last twenty years, this collection posits loss as a new conceptual framework in which to understand Jewish-Muslim relations. Previous studies of Jewish emigration have followed the mass departure of Jews, but the contributors to this book choose to remain behind and trace the contours of Jewish absence in Maghrebi and Middle Eastern societies. Attuned to loss in this way, the cultural memories of Jewish-Muslim life transcend the narratives of turmoil, taboo, and nostalgia that have dominated Muslim and p...
Gendering Modern Jewish Thought
The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In Gendering Modern Jewish Thought, Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine. Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals. Gendering Modern Jewish Thought suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters.
Words and Stones
'Words and Stones' explores the politics of identity in Israel through an analysis of the social life of language. By examining the social choices Israelis make when they speak, and the social meanings such choices produce, Daniel Lefkowitz reveals how Israeli identities are negotiated through language.
How the Wise Men Got to Chelm
1. How the Wise Men got to Gotham: the fools of Chelm take Manhattan -- 2. How foolish Is Jewish culture? fools, Jews, and the Carnivalesque Culture of early modernity -- 3. Through the land of foolish culture: from Laleburg to Schildburg -- 4. Gentile fools speaking Yiddish: the Schildbergerbuch for Jewish readers -- 5. The enlightenment goes East: how Democritus of Abdera got to Galicia -- 6. The geography of folly: the folklorists and the invention of Chelm -- 7. Chelm tales after World War One in German and Yiddish: "Our Schilda" and "Our Chelm Correspondent
Post-Ottoman Coexistence
Acknowledgments -- Introduction: everyday coexistence in the post-Ottoman space / Rebecca Bryant -- Landscapes of coexistence and conflict -- Sharing traditions of land use and ownership : considering the "ground" for coexistence and conflict in pre-modern Cyprus / Irene Dietzel -- Intersecting religioscapes in post-Ottoman spaces : trajectories of change, competition and sharing of religious spaces / Robert Hayden -- Cosmopolitanism or constitutive violence? : the creation of "Turkish" heraklion / Aris Anagnostopoulos -- Trade and exchange in Nicosia's common realm : Ermou street in the 1940s and 1950s / Anita Bakshi -- Performing coexistence and difference -- In bed together : coexistence ...
Israeli Bourekas Films
A genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin. Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish culture than to the Middle Eastern world of the Mizrahim. Kimchi reflects on the enormous popularity and commercial success of Bourekas films, uncovers how they were made, who made them and why, and discusses the impact of the films on Israeli cinema today. Israeli Bourekas Films is a film insider's view of the characters, stories, and cultures that made Bourekas films such an important part of Israeli life.
Visual Syntax of Race
Analyzing the visual syntax and display rhetoric applied in newspaper photos, national historical albums, and museum exhibitions, Noa Hazan shows that although racial thought was and still is verbally suppressed in Israel, it is vividly present in its nonverbal official and public visual sphere. The racist perspective of newspaper editors, book publishers, photographers, and museum curators were morally justified in its time by such patronizing ideals as realistic news coverage or the salvation of Jewish heritage assets. Although their perspectives played a dominant role in establishing a visual syntax of race in Israel, they were not seen as racially discriminating at the time. The racist m...
