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This volume is a tribute to the career of Professor Mirjo Salvini on the occasion his 80th birthday, composed of 62 papers written by his colleagues and students. The majority of contributions deal with research in the fields of Urartian and Hittite Studies, the topics that attracted Prof. Salvini most during his long and fruitful career.
This book presents papers written by colleagues of Professor Gregory E. Areshian on the occasion his 65th birthday. The range of topics includes Near Eastern, Mediterranean and Armenian archaeology, theory of interpretation in archaeology and art history, interdisciplinary history, historical linguistics, art history, and comparative mythology.
Dedicated to Pavel Avetisyan, a leading modern Armenian archaeologist with wide international recognition, 36 contributions take the reader to the fascinating world of Caucasian archaeology. The volume demonstrates the essential role of the region in shaping the prehistoric cultural landscape of the Ancient Near East.
AJNES is the only periodical in the Republic of Armenia devoted exclusively to the investigation of ancient and medieval cultures of the Near East and the Caucasus. Articles appearing in its pages are contributions of scholars of international reputation in history, archaeology, philology, art, religion and science.
AJNES is the only periodical in the Republic of Armenia devoted exclusively to the investigation of ancient and medieval cultures of the Near East and the Caucasus. Articles appearing in its pages are contributions of scholars of international reputation in history, archaeology, philology, art, religion and science.
This volume focuses on contacts between Anatolian languages within and outside Anatolia. The selected essays, written by members of ongoing research projects on Anatolian languages, present case studies from both the first and second millennia. These include etymological and morphophonological investigations within the framework of Graeco-Anatolian contacts, as well as a critical essay on the possible Anatolian-Etruscan contacts. Alongside strictly linguistic analysis, the essays cover different aspects of cultural contacts (the origin of the word for ‘salt’ in Luwian), toponyms (in Lycia), and religion (the god called King of Kaunos), and are introduced with a detailed overview of the origins of the Anatolian linguistic landscape.
Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
This book traces the formation of the archaeological site of Carthage and how it re-emerged in the minds of European antiquarians and travellers in the early modern world. For almost 1,600 years the ancient city sat on the north coast of Africa, dominating the central Mediterranean until its fall in 698 CE. One of the oldest cities in the Mediterranean, it was founded in legend by the Tyrian queen Dido and destroyed after epic wars with Rome. It was soon reborn as a Roman city, and late in antiquity evolved into a centre for Christian worship. In the 17th and 18th centuries, when European explorers first arrived, searching for the site of Carthage, they were amazed that almost nothing of its...
"Religions" are always costly - one has to give offerings (with material value) to the gods, one has to provide the salary for religious specialists who offer their service for their clients, one has to arrange festivals and liturgies - and of course, one has to provide the material means for building temples or shrines. But these costs also repay - as the gods give health or well-being as reward for the offerings. Even if one can never be absolutely certain about such a reward, one at least might earn social reputation because of one's (financial) involvement in religion. But temples are also economic centres - "employing" (often in close relation to the palace) people as workers, craftsmen...
Though immediately recognizable in public discourse as a modern state in a political "hot zone," Armenia has a material history and visual culture that reaches back to the Paleolithic era. This book presents a timely and much-needed survey of the arts of Armenia from antiquity to the early eighteenth century C.E. Divided chronologically, it brings into discussion a wide range of media, including architecture, stone sculpture, works in metal, wood, and cloth, manuscript illumination, and ceramic arts. Critically, The Art of Armenia presents this material within historical and archaeological contexts, incorporating the results of specialist literature in various languages. It also positions Armenian art within a range of broader comparative contexts including, but not limited to, the ancient Mediterranean and Near East, Byzantium, the Islamic world, Yuan-dynasty China, and seventeenth-century Europe. The Art of Armenia offers students, scholars, and heritage readers of the Armenian community something long desired but never before available: a complete and authoritative introduction to three thousand years of Armenian art, archaeology, architecture, and design.