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Inscriptions are a rather neglected field within Tibetan Studies, because they are often located in places that are not easily accessible for both geographical and political reasons. It is thus especially welcome that two of the contributions to this volume deal with inscriptions documented on recent field trips to Tibet: Benjamin Wood discusses an inscription in Zha lu that relates an enigmatic conflict in the history of the monastery, and Kurt Tropper looks into an epigraphic cycle on the life of the Buddha in Tsaparang. Moreover, Nathan Hill provides a new interpretation of the beginning of the famous Rkong po inscription, and Kunsang Namgyal Lama surveys the various kinds of texts found on tsha tshas. An extra level of reflection is added to the volume by Cristina Scherrer-Schaub’s methodological considerations on the classification and interpretation of inscriptions.
The Handbook of Iconometry (Tibetan title: Cha tshad kyi dpe ris Dpyod ldan yid gsos) constitutes a lavishly illustrated treatise laying down the iconometic principles and measurements at the heart of the 17th-century art of Tibet. The book was produced in ca. 1687 at the instigation of the famous scholar and statesman sde srid Sangs rgyas rgya mtsho (1653–1705). Today, the original is kept in the Tibet Autonomous Region Archives (Lhasa). The Handbook includes more than 150 meticulously prepared drawings of buddhas, bodhisattvas and divinities, 70 script types and 14 stupa models all extrapolated from the rich heritage of Indo-Tibetan Buddhist art. These are accompanied by an introduction charting the production of the Handbook in the 17th century and the scholarly profile of its principal author Sangs rgyas rgya mtsho. In the appendix, it reproduces passages from the Vaiḍurya g.Ya' sel that provide valuable additional information about the illustrations.
The Current Research in the Semantic / Pragmatics Interface series has carved out a new and vibrant area of research. This volume offers the reader a state-of-the-art record of new and established research in this area. Von Heusinger and Turner's careful selection of topics and contributors ensures that each chapter integrates semantic and pragmatic facts into a single theory, that each finds an adequate division of theoretical labour and that each attempts to design and corroborate an elegant account of meaning and use that would be compatible with other aspects of human behaviour. Importantly, each paper in the volume focuses on linguistic detail, not merely abstract discussions of a theor...
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 1999. This book is divided into two parts. The first part is essentially a response to a minimalist question: how perfect is language? There are so many factors involved in hiding the true nature of a language from casual observers. On the other hand, it is a lot easier to put a few languages side by side and show that the apparent imperfection actually comes from the diversity of their lexicons. By comparing wh-construals in Chinese, Japanese, English and Hindi, it becomes clear that these languages follow an optimal design of operator-variable dependencies as best as they could. As best as their individual morphologies allow, for that matter. The second part of this book addresses the issue how syntax interacts with semantics in a minimalist way.
Bordered by the Himalaya on the south and the Karakoram on the west, Tibet offers trekkers an experience like no other. In this updated edition of Trekking in Tibet, McCue prepares us for a sojourn into this mystical, other- worldly land presenting detailed discussions of pre-trip planning, the most rewarding treks, as well as an educational glimpse into the country's history and culture.
DIVBarlow documents the history of “woman” as a category in twentieth century Chinese history, tracing the question of gender through various phases in the literary career of Ding Ling, a major modern Chinese writer./div
This book examines the changes taking place in literary writing and publishing in contemporary China under the influence of the emerging market economy. It focuses on the revival of literary best sellers in the Chinese book market and the establishment of a best-seller production machine. The author examines how writers have become cultural entrepreneurs, how state publishing houses are now motivated by commercial incentives, and how "second-channel, unofficial publishers and distributors both compete and cooperate with official publishing houses in a dual-track, socialist-capitalist economic system. Taken together, these changes demonstrate how economic development and culture interact in a postsocialist society, in contrast to the way they work in the mature capitalist economies of the West. That economic reforms have affected many aspects of Chinese society is well known, but this is the first comprehensive analysis of market influences in the literary field. This book thus offers a fresh perspective on the inner workings of contemporary Chinese society.
Beginning with a brief account of Saraha's life from what little is known of it, the book surveys his major work, his trilogy of songs: the People, King and Queen Doha. The scarcity of indigenous Indian source material necessitates constant reference to the rich Tibetan tradition, in particular the nDzogs-chen/sNyingthig teaching.
This book is the first collection and translation in English of Rolf Stein's groundbreaking series of articles on Tibetan history, Tibetica antiqua. Drawing on the earliest available sources, Stein discusses the Tibetan transition to Buddhism, a transition influenced by both Indian and Chinese culture and cultural competition.