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Identity and Social Networks
Through in-depth interviews with 60 U.S. graduate students from mainland China, Cynthia Baiqing Zhang explores how identity and social networks influence each other and how identity shapes behavior. Zhang’s study concludes the sociocultural contexts in the host culture of the U.S. impacts religious identity acquisition and networks of social relation. Zhang further analyzes the ways in which the transfer from the racially/ethnically homogeneous China to the diverse United States and their time in the United States inform the students’ Chinese ethnic identity and networks, and how these factorsmaintain and transcend the divide between Chinese and non-Chinese communities. Finally, Zhang argues the juggling of multiple identities requires changes in identity meanings and corresponding behavior on the part of the students.
Epitaph
A nation dying of self-inflicted mental and moral wounds turns rabid—extremist. Leadership crippled by corruption, moral impairment, physical and mental decay, capable of nothing other than the same old thing, flails and destroys and in cowardice (likened to an infant but powered by lethal partners), ducks responsibility and blames a made-for-the-occasion “enemy.” America’s leadership class of kleptocrats, gerontocrats, incestuous hangers-on and clingers to Washington’s revolving door are the American (anachronistic, anarchist, nihilist) extremists. They create and feed on global and national crises; and spawn America’s weakness, unpreparedness, and loss of common defense. Their age must end. Epitaph returns to the framers of the American Union, lays out the nature of present-day American extremism with critical evidence from distant headlines and information sources and context of world thinkers — originating far beyond the Washington Beltway. The work ends with advisory notes to youth, and notes toward forming a More Perfect Union.
Transmutations of Desire
In the West, love occupies center stage in the modern age, whether in art, intellectual life, or the economic life. We may observe a similar development in China, on its own impetus, which has resulted in this characteristic of modernity--this feature of modern life has been securely and unambiguously established, not the least facilitated by the thriving of literature about qing, whether in traditional or modern forms. Qiancheng Li concentrates on the nuances of a similar trend manifested in the Chinese context. The emphasis is on critical readings of the texts that have shaped this trend, including important Ming- and Qing-dynasty works of drama, Buddhist texts and other religious/philosop...
Art as a Pathway to God
This book integrates history, theology, and art and analyzes the Jesuits’ cross-cultural mission in late imperial China. Readers will find a rich collection of resources from historical sites, museums, manuscripts, and archival materials, including previous unpublished works of art. The production and circulation of art from different historical periods and categories show the artistic, theological, and missional values of Christian art. It highlights European Jesuits, Asian Christians, transnationalism, and gives voice to Chinese Christian women and their patronage of art in the seventeenth century. It offers a rare systematic study of the relation between art and mission history.
People Centric Innovation Ecosystem
How can knowledge management function well in a highly dynamic VUCA context? This Element focuses on the context of Japanese management and practices to present the concept of people-centric innovation ecosystem. An overview of Japanese management is provided, from publications in English to the insiders' view of Japanese scholars, combining these sources with interviews and dynamic groups with local managers and case studies to illustrate the state and evolution of Japanese management and practices. Highlighting the people-centricity in Japanese management, its networked innovative capability sustains enterprise development in a highly dynamic VUCA context. The interconnectedness and mutual influence of Japanese and Western management have the potential to generate more general management advancements. This Element aims to contribute to the debate on generalization and contextualization, culture and metaculture, and the coexistence of convergence and divergence. Japanese womenomics and its implications for Asian emerging economic powers are also discussed.
Security and Privacy in Social Networks and Big Data
This book constitutes the proceedings of the 8th International Symposium on Security and Privacy in Social Networks and Big Data, SocialSec 2022, which took place in Xi'an, China, in October 2022. The 23 papers presented in this volume were carefully reviewed and selected from 103 submissions. The papers were evaluated on the basis of their significance, novelty, technical quality, as well as on their practical impact or their level of advancement of the field’s foundations. They were organized in topical sections as follows: Cryptography and its applications; Network security and privacy protection; Data detection; Blockchain and its applications.
A General History of Chinese Art
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
