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This volume casts a fresh look at the multifaceted expressions of diachronic Hellenisms. A distinguished group of historians, classicists, anthropologists, ethnographers, cultural studies, and comparative literature scholars contribute essays exploring the variegated mantles of Greek ethnicity, and the legacy of Greek culture for the ancient and modern Greeks in the homeland and the diaspora, as well as for the ancient Romans and the modern Europeans. Given the scarcity of books on diachronic Hellenism in the English-speaking world, the publication of this volume represents nothing less than a breakthrough. The book provides a valuable forum to reflect on Hellenism, and is certain to generat...
This book examines the question of historical awareness within the Greek communities in the diaspora, adding a new perspective on the discussion about the Greek Revolution of 1821 by including the forgotten Greeks in the United States and Canada. The purpose of this volume is to discuss the impact of the Greek Revolution as manifested in various discourses. It is celebrated by the Greek communities, taught in Greek schools, covered in the local newspapers. It is an inspiration for literary, artistic, and theatrical creations. The chapters reflect a broad range of disciplines (history, literature, art history, ethnology, and education), offering both historical and contemporary reflections. This volume produces new knowledge about the Greeks in the United States and Canada for the last 100 years. The Greek Revolution and the Greek Diaspora in the United States will attract scholars, students, and public readers of Modern Greek Studies and Greek American Studies, as well as those interested in comparative history, diaspora and ethnic studies, memory studies, and cultural studies. WINNER OF THE MODERN GREEK STUDIES ASSOCIATION AWARD (2024).
This book establishes play as a mode of humanistic inquiry with a profound effect on art, culture and society. Play is treated as a dynamic and relational modality where relationships of all kinds are forged and inquisitive interdisciplinary engagement is embraced. Play cultivates reflection, connection, and creativity, offering new epistemological directions for the humanities. With examples from a range of disciplines including poetry, history, science, religion and media, this book treats play as an object of inquiry, but also as a mode of inquiry. The chapters, each focusing on a specific cultural phenomenon, do not simply put culture on display, they put culture in play, providing a playful lens through which to see the world. The reader is encouraged to read the chapters in this book out of order, allowing constructive collision between ideas, moments in history, and theoretical perspectives. The act of reading this book, like the project of the humanities itself, should be emergent, generative, and playful.
This is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer's most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kaza...
Arabic and its Alternatives discusses the complicated relationships between language, religion and communal identities in the Middle East in the period following the First World War. This volume takes its starting point in the non-Arabic and non-Muslim communities, tracing their linguistic and literary practices as part of a number of interlinked processes, including that of religious modernization, of new types of communal identity politics and of socio-political engagement with the emerging nation states and their accompanying nationalisms. These twentieth-century developments are firmly rooted in literary and linguistic practices of the Ottoman period, but take new turns under influence of colonization and decolonization, showing the versatility and resilience as much as the vulnerability of these linguistic and religious minorities in the region. Contributors are Tijmen C. Baarda, Leyla Dakhli, Sasha R. Goldstein-Sabbah, Liora R. Halperin, Robert Isaf, Michiel Leezenberg, Merav Mack, Heleen Murre-van den Berg, Konstantinos Papastathis, Franck Salameh, Cyrus Schayegh, Emmanuel Szurek, Peter Wien.
This book deals with historical consciousness and its artistic expressions in contemporary Greece since 1989 from the point of view that contemporary Greeks have been faced with the contradictions between on the one hand a glorious, world-famous yet distant past and, on the other, a traumatic contemporary history of wars, expulsions, civil strife and political and economic crises. Such clashes of imaginary identifications and collective traumas call for interpretations not only from historians but also from artists and storytellers. Therefore, the chapters in this volume explore the ways in which sensitive and creative perspectives of art approach and appropriate history in Greece. Through a...
Alexander Pantages was 13 when he arrived in the U.S. in the 1880s, after contracting malaria in Panama. He opened his first motion picture theater in 1902 and went on to build one of the largest and most important independently-owned theater chains in the country. At the height of the Pantages Theaters' reach, he owned or operated 78 theaters across the U.S. and Canada. He amassed a fortune, yet he could not read or write English. In 1929 he was convicted of sexually assaulting a 17-year-old dancer--a scandal that destroyed his empire and reduced him to a pariah. The day his grandest theater, the Pantages Hollywood, opened in 1930, he lay sick in a jailhouse infirmary. His conviction was overturned a year later after an appeal to the California State Supreme Court, but the question remains: How should history judge this theater pioneer, wealthy magnate and embodiment of the American Dream?
Discusses the similarities and differences of teenagers in Greece.
How does a severe economic crisis impact on diaspora-homeland relations? The present volume addresses this question by exploring diaspora engagement in Greece during the protracted post-2009 eurozone crisis. In so doing, it looks at the crisis as a critical juncture in Greece’s relations with its nationals abroad. The contributors in this book explore aspects of diaspora engagement, including transnational mobilisation, homeland reform, the role of diasporic institutions, crisis driven migration, as well as, comparisons with other countries in Europe. This book provides a compelling and original interdisciplinary study of contemporary diaspora issues, through the lens of an advanced economy and democracy facing a prolonged crisis, and, as such, it is a significant addition to the literature on European diasporas.
A Companion to Popular Culture is a landmark survey of contemporary research in popular culture studies that offers a comprehensive and engaging introduction to the field. Includes over two dozen essays covering the spectrum of popular culture studies from food to folklore and from TV to technology Features contributions from established and up-and-coming scholars from a range of disciplines Offers a detailed history of the study of popular culture Balances new perspectives on the politics of culture with in-depth analysis of topics at the forefront of popular culture studies