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CCIS 107 is the second volume of the proceedings of the Fifth International Symposium on Intelligence Computation and Applications (ISICA 2010)held in Wuhan, China, October 22–24, 2010. Thirty-one papers among 267 submissions were selected and included in CCIS 107. This volume features the most up-to-date research in evolutionary design, evolutionary optimization, hybrid evolutionary algorithms, intelligent systems, particle swarm optimization, and predictive modeling. CCIS 107 is dedicated to the memory of Lishan Kang. ISICA conferences were one of the ?rst series of international conferences on computational - telligence that combined elements of learning, adaptation, evolution and fuzzy...
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
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He, summer, was an orphan. Growing up in an orphanage, on the late autumn night when he was ten years old, there was a fire in the orphanage. In order to save his brothers and sisters, he was caught in fire. Five years later in real life, he heavily ...
Que seria do mundo visto pelo prisma da nuance, dos vestígios e dos murmúrios? E se a atenção recaísse sobre quem não tem nada diante de si além do deslocamento? Este livro provém de uma experiência coletiva, quando, em 2018, pesquisadores de todo o mundo se reuniram na Universidade de Jerusalém. O resultado é um conjunto tocante de aproximações que tentam recuperar o encantamento de uma língua chamada Clarice Lispector.
Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggest...