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The Corpse Walker
The Corpse Walker introduces us to regular men and women at the bottom of Chinese society, most of whom have been battered by life but have managed to retain their dignity: a professional mourner, a human trafficker, a public toilet manager, a leper, a grave robber, and a Falung Gong practitioner, among others. By asking challenging questions with respect and empathy, Liao Yiwu managed to get his subjects to talk openly and sometimes hilariously about their lives, desires, and vulnerabilities, creating a book that is an instance par excellence of what was once upon a time called “The New Journalism.” The Corpse Walker reveals a fascinating aspect of modern China, describing the lives of normal Chinese citizens in ways that constantly provoke and surprise.
Invisible Warfare
As a writer, poet, musician and dissident, Liao Yiwu is one of the most important chroniclers and analysts of contemporary China. In his books, he draws on his own experiences of imprisonment and mistreatment at the hands of the Chinese state to criticise abuses of power and give a voice to the downtrodden and disenfranchised. In this powerful memoir, Liao Yiwu reflects on his own journey from imprisonment in Sichuan to his current life in Berlin, where he now works as a full-time writer. As China’s presence and influence on the international stage grows, this small book is a poignant reminder of the human cost of authoritarianism and of the power of the written word to bear witness to evil.
For a Song and a Hundred Songs
From the renowned Chinese poet in exile comes a gorgeous and shocking account of his years in prison following the Tiananmen Square protests.
God Is Red
In God is Red, Chinese dissident journalist and poet Liao Yiwu—once lauded, later imprisoned, and now celebrated author of For a Song and a Hundred Songs and The Corpse Walker—profiles the extraordinary lives of dozens of Chinese Christians, providing a rare glimpse into the underground world of belief that is taking hold within the officially atheistic state of Communist China. Liao felt a kinship with Chinese Christians in their unwavering commitment to the freedom of expression and to finding meaning in a tumultuous society, even though he is not a Christian himself. This is a fascinating tale of otherwise unknown personalities thriving against all odds. God is Red will resonate with readers of Phillip Jenkins' The Lost History of Christianity and Peter Hessler's Country Driving.
Bullets and Opium
A “memorable series of portraits of the working class people who defended Tiananmen Square” (The New York Review of Books) during the protests from the award-winning poet, dissident, and “one of the most original and remarkable Chinese writers of our time” (Philip Gourevitch). Much has been written about the Tiananmen Square protests, but very little exists in the words of those who were actually there. For over seven years, Liao Yiwu—a master of contemporary Chinese literature, imprisoned and persecuted as a counter-revolutionary until he fled the country in 2011—secretly interviewed survivors of the devastating 1989 Tiananmen Square massacre. Tortured, imprisoned, and forced into silence and the margins of Chinese society for thirty years, their harrowing and unforgettable stories are now finally revealed in this “indispensable historical document” (Kirkus Reviews, starred review).
The Corpse Walker
The Corpse Walker introduces us to regular men and women at the bottom of Chinese society, most of whom have been battered by life but have managed to retain their dignity: a professional mourner, a human trafficker, a public toilet manager, a leper, a grave robber, and a Falung Gong practitioner, among others. By asking challenging questions with respect and empathy, Liao Yiwu managed to get his subjects to talk openly and sometimes hilariously about their lives, desires, and vulnerabilities, creating a book that is an instance par excellence of what was once upon a time called “The New Journalism.” The Corpse Walker reveals a fascinating aspect of modern China, describing the lives of normal Chinese citizens in ways that constantly provoke and surprise.
God Is Red
First published in 1972, Vine Deloria Jr.'s God Is Red remains the seminal work on Native religious views, asking new questions about our species and our ultimate fate. Celebrating 3 decades in publication with a special 30th-anniversary edition, this classic work reminds us to learn ''that we are a part of nature, not a transcendent species with no responsibilities to the natural world.'' It is time again to listen to Vine Deloria Jr.'s powerful voice, telling us about religious life that is independent from Christianity and that reveres the interconnectedness of all living things.
No Enemies, No Hatred
When the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called “incitement to subvert state power.” In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: “I stand by the convictions I expressed in my ‘June Second Hunger Strike Declaration’ twenty years ago—I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies.” That statement is one of the pieces in this book, which includes writing...
Postmodernism and China
Few countries have been so transformed in recent decades as China. With a dynamically growing economy and a rapidly changing social structure, China challenges the West to understand the nature of its modernization. Using postmodernism as both a global frame of periodization and a way to break free from the rigid ideology of westernization as modernity, this volume’s diverse group of contributors argues that the Chinese experience is crucial for understanding postmodernism. Collectively, these essays question the implications of specific phenomena, like literature, architecture, rock music, and film, in a postsocialist society. Some essays address China’s complicity in—as well as its r...
For a Song and a Hundred Songs
In China, the government continues to erase and distort the collective memory of the country to suit its all-encompassing political agenda. However, an individual’s memory, with its psychic encoding and indelible scars of oppression, will forever hide a deeply etched record in blood and intellect. Its imprint, like history, can never be erased. This is the extraordinary prison memoir of one of China's most prominent dissidents and author of the internationally acclaimed The Corpse Walker. Introduction by Herta Müller, recipient of the 2009 Nobel Prize for Literature. In June 1989, Liao Yiwu witnessed the Tiananmen Square protest. The young poet, who had until then led an apolitical bohemi...
