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A History of Chinese Calligraphy
Chinese calligraphy has been an independent visual art form for thousands of years. Its wonderful aesthetics has inspired the art of Chinese painting since the second century B.C. Before pen and pencil were introduced to China, millions practiced the art of writing in ink. In the twentieth century, the art of calligraphy has not only fascinated modern Chinese who are part of this continuous tradition, but has also captured the interest and imagination of the world. This is the first proper history of Chinese calligraphy in English.
Modern Chinese Artists
An important reference source for scholars and students of modern Chinese art, collectors, museums and libraries, dealers and auction houses. It includes biographical entries for approximately 800 Chinese artists who grew up or were trained in China and who are likely to be represented in collections, exhibitions, and auctions within and outside China.
Art and Artists of Twentieth-Century China
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, de...
Chinese Folk Art II
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China—Art—Modernity
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself ...
Confidant
ForQualification Yang tried very hard to accomplish his dream to become an official. He tried with every means available to him, through repeated setbacks, finally his dream came true, he became the chief of the Logistic Department from a driver and then a confidant of a director. When he was riding on the crest of his success, he went to prison for himself and the director for taking bribery. When he was released from prison, he found his wife had already slept with Director ForGood Dong, after thinking the whole thing over, he made up his mind to rip off the sanctimonious cover of ForGood Dong and expose his crime of taking bribery....
Masculinities in Chinese History
Masculinities in Chinese History is the first historical survey of the many ways men have acted, thought, and behaved throughout China’s long past. Bret Hinsch introduces readers to the basic characteristics of historical Chinese masculinity while highlighting the dynamic changes in male identity over the centuries. He covers the full span of Chinese history, from the Zhou dynasty in distant antiquity up to the current era of disorienting rapid change. Each chapter, focused on a specific theme and period, is organized to introduce key topics, such as differences between the sexes and the mutual influence of ideas regarding manhood and womanhood, masculine honor, how masculine ideals change, the use of high culture to bolster masculine reputation among the elite, and male role models from the margins of society. The author concludes by exploring how capitalism, imperialism, modernization, revolution, and reform have rapidly transformed ideas about what it means to be a man in contemporary China.
