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Other People's Love
This story of elusive love set in the TV industry has all the sex, plot twists, and family drama as a soap opera.
A Critical History of New Music in China
By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
Beyond the May Fourth Paradigm
When did China make the decisive turn from tradition to modernity? For decades, the received wisdom would have pointed to the May Fourth movement, with its titanic battles between the champions of iconoclasm and the traditionalists, and its shift to more populist forms of politics. A growing body of recent research has, however, called into question how decisive the turn was, when it happened, and what relation the resulting modernity bore to the agendas of people who might have considered themselves representatives of such an iconoclastic movement. Having thus explicitly or implicitly 'decentered' the May Fourth, such research (augmented by contributions in the present volume) leaves us with the task of accounting for the shape Chinese modernity took, as the product of dialogues and debates between, and the interplay of, a variety of actors and trends, both within and (certainly no less importantly) without the May Fourth camp.
Daily Report
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The Politics of Cultural Capital
In the 1980s China’s politicians, writers, and academics began to raise an increasingly urgent question: why had a Chinese writer never won a Nobel Prize for literature? Promoted to the level of official policy issue and national complex, Nobel anxiety generated articles, conferences, and official delegations to Sweden. Exiled writer Gao Xingjian’s win in 2000 failed to satisfactorily end the matter, and the controversy surrounding the Nobel committee’s choice has continued to simmer. Julia Lovell’s comprehensive study of China’s obsession spans the twentieth century and taps directly into the key themes of modern Chinese culture: national identity, international status, and the re...
Daily Report
None
Republican Lens
"The early Republican (1911-1921) Chinese public looked, read, and interacted in profoundly different ways from its late imperial predecessor. While current scholarly has labeled the 1911 Revolution a virtual 'non-event' and the early Republic a political failure, the micro-historical view offered by the Chinese periodical press presents a much different perspective. Reversing orthodox academic practice, this book considers the realm of high politics as ephemeral and the institutions, associations, and practices of the reading and viewing public as the site of enduring and historical significance. The book centers on a selection of extraordinary photographic portraits taken from the periodical Funü shibao, one of the few journals to straddle the 1911 divide and remain in print through the early Republican period"--Provided by publisher.
