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This volume is about the long-neglected, but decisive influence of Uygur patrons on Dunhuang art in the tenth and eleventh centuries. Through an insightful introduction to the hitherto little-known early history and art of the Uygurs, the author explains the social and political forces that shaped the taste of Uygur patrons. The cultural and political effects of Sino-Uygur political marriages are examined in the larger context of the role of high-ranking women in medieval art patronage. Careful study of the iconography, technique and style sheds new light on important paintings in the collection of the British Museum in London, and the Musée national des Arts asiatiques-Guimet, in Paris, and through comparative analysis the importance of regional art centres in medieval China and Central Asia is explored. Richly illustrated with line drawings, as well as colour and black-and-white plates.
A Companion to Asian Art and Architecture presents acollection of 26 original essays from top scholars in the fieldthat explore and critically examine various aspects of Asian artand architectural history. Brings together top international scholars of Asian art andarchitecture Represents the current state of the field while highlightingthe wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions oftenoverlooked in a field that is often defined asIndia-China-Japan Explores the influences on Asian art of global and colonialinteractions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperialcommissions, ancient tombs, gardens, monastic spaces, performances,and pilgrimages.
More than two hundred photographs-most in stunning full color-provide the visual context for this tour of the world of Buddhist art. From the earliest second-century b.c.e. archaeological evidence to the nineteenth century this book showcases the marvelous variety of Buddhist art through the ages, from every country and region where Buddhism has influenced the culture in a significant way, including India, Afghanistan, Central Asia, China, Korea, Japan, Tibet, Sri Lanka, Myanmar, and all the regions of Southeast Asia. Included in the rich variety of forms are architecture and monumental art, statuary, paintings, calligraphy, fresco, brushwork, and textile arts.
"The Silla Kingdom, which flourished in Korea from 57 B.C. to 935 A.D., is known for its intricately crafted ornaments, many in resplendent gold, and for the creation of prominent Buddhist temples. Silla focuses on the striking artistic traditions of the Old and Unified Silla Kingdoms (4th-8th century), and is the first publication in English to explore the artistic and cultural legacy of this ancient realm. Among the topics explored are Korea's position as the eastern culmination of the Silk Road in the first millennium A.D. and the character and evolution of Buddhism, as illuminated by objects from major monuments, temples, and tombs. The book also presents new research about Silla's ancient capital, Gyeongju, which is known for the Gyerim-ro Dagger, as well as the pottery, glass, and beads discovered in tombs located there." -- Publisher's description.
This volume, the result of an international collaboration of forty scholars, provides a comprehensive resource on Esoteric Buddhism and the Tantras in their Chinese, Korean, and Japanese contexts from the first few centuries of the common era to the present.
Containing over 100 photos of Korean art pieces along with thoughtful essays, Goryeo Dynasty: Korea's Age of Enlightenment 918-1392 captures this fundamental period of Korean history. Few people are aware that the name Korea is derived from Goryeo of the Goryeo dynasty (918-1392). Under the patronage of the royal court, the aristocracy and the Buddhist elite—whose taste are for luxury and refinement was unprecedented in the history of Korea—spectacular achievements were made in all areas of the arts during this period. This catalogue documents not only the famous Goryeo achievements in ceramics but also lesser known Buddhist paintings, illuminated sutras, sculpture, lacquer, and metal crafts. Drawing from thirty-five contributing institutions, it brings together some of the most exquisite works of Korean art from the tenth to the fourteenth century, including many that have never before traveled to the West. A valuable resource to anyone interested in the classic arts of East Asia.
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Euro...
Including a representative range of ceramics from the fifth to the twentieth century and items in various other materials, the collection of Korean art in the Fitzwilliam Museum, Cambridge, is one of the finest outside of the Far East. Although Korea's ceramics equal China's in quality and technique, they are far less known. Compiled by Yun Yong-i and edited by Regina Krahl, this richly illustrated catalog provides detailed information on each object, as well as background studies on Korean culture and ceramic technology.
Review: "Buddhism is one [of] the world's major religions with influences reaching far beyond its origins in East Asia, yet it is surprising that it has taken so long for a comprehensive reference source on this religion to appear. Macmillan's work covers not only the familiar topics found in many existing titles on Buddhism but delves deeper. Some 250 experts have crafted scholarly yet accessible articles on nearly 500 topics ranging from rituals and practices to art and Western influence."--"Reference that rocks," American Libraries, May 2005.