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Liner Notes for the Revolution
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musica...
Appalachia Revisited
Front cover -- Copyright -- Contents -- Introduction -- 1 Revisiting Appalachia, Revisiting Self -- 2 Carolina Chocolate Drops -- 3 Beyond a Wife's Perspective on Politics -- 4 Intersections of Appalachian Identity -- 5 Appalachia Beyond the Mountains -- 6 Digital Rhetorics of Appalachia and the Cultural Studies Classroom -- 7 Continuity and Change of English Consonants in Appalachia -- 8 Frackonomics -- 9 Revisiting Appalachian Icons in the Production and Consumption of Tourist Art -- 10 From the Coal Mine to the Prison Yard -- 11 Walking the Fence Line of The Crooked Road -- 12 "No One's Ever Talked to Us Before" -- 13 Strength in Numbers -- 14 When Collaboration Leads to Action -- 15 Participation and Transformation in Twenty-First-Century Appalachian Scholarship -- (Re)introduction -- Appendix -- Contributors -- Index.
Multivocality
Multivocality frames vocality as a way to investigate the voice in music, as a concept encompassing all the implications with which voice is inscribed-the negotiation of sound and Self, individual and culture, medium and meaning, ontology and embodiment. Like identity, vocality is fluid and constructed continually; even the most iconic of singers do not simply exercise a static voice throughout a lifetime. As 21st century singers habitually perform across styles, genres, cultural contexts, histories, and identities, the author suggests that they are not only performing in multiple vocalities, but more critically, they are performing multivocality-creating and recreating identity through the ...
Something in These Hills
What is the "something in these hills" that ties mountain families to family land in the southern Appalachians? This ethnographic examination challenges contemporary theory and explores two interrelated themes: the duality of the southern Appalachians as both a menacing and majestic landscape and the emotional relationship to family land characteristic of long-term residents of these mountains. To most outsiders, the area conjures images of a beautiful yet dangerous place, typified by the movie Deliverance. To long-term residents, these mountains have a fundamental emotional hold so powerful that many mourn the sale or loss of family land as if it were a deceased relative. How can the same geographical space be both? Using a carefully crafted cultural lens, John M. Coggeshall explains how family land anthropomorphizes, metaphorically becoming another member of kin groups. He establishes that this emotional sense of place existed prior to recent land losses, contrary to some contemporary scholars. Utilizing the voices and perspectives of long-term residents, the book provides readers with a more fundamental understanding of the "something in these hills" that holds people in place.
Unfinished Business
Unfinished Business argues that American deindustrialization cannot be separated from issues of race, specifically from figurations of, and performances by and about, African Americans that represent or resist normative or aberrant relationships to work and capital in transitional times.
The Forgetting Tree
Rae Paris began writing The Forgetting Tree: A Rememory in 2010, while traveling the United States, visiting sites of racial trauma, horror, and defiance. The desire to do this work came from being a child of parents born and raised in New Orleans during segregation, who ultimately left for California in the late 1950s. After the death of her father in 2011, the fiction Paris had been writing gave way to poetry and short prose, which were heavily influenced by the questions she’d long been considering about narrative, power, memory, and freedom. The need to write this story became even more personal and pressing. While Paris sometimes uses the genre of "memoir" or "hybrid memoir" when refe...
The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One Hundred Years
THE STORY: In the winter of 1964, ten years after the Montgomery bus boycott, Dr. Martin Luther King, Jr., is planning a massive voter registration drive that promises to put the city back at the center of the Civil Rights Movement. Among those wat
Over the River and Through the Woods
THE STORY: Nick is a single, Italian-American guy from New Jersey. His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until
Democracy and the American Civil War
In 1865, after four tumultuous years of fighting, Americans welcomed the opportunity to return to a life of normalcy. President Abraham Lincoln issued his emancipation decree in January 1863 and had set the stage for what he hoped would be a smooth transition from war to peace with the announcement of his reconstruction program in December 1863 and with his call of "malice toward none and charity for all" in his Second Inaugural Address in March 1865. Lincoln's dream of completing the process of reconstructing the nation was cut short just one month later by the hand of an assassin. The essays in this volume--by Adams and Hudson along with Stanley Harrold, John David Smith, Mitchell Snay, an...
One God Clapping
From Zen Buddhist practitioner to rabbi, East meets West in this firsthand account of a spiritual journey. Rabbi Alan Lew is known as the Zen Rabbi, a leader in the Jewish meditation movement who works to bring two ancient religious traditions into our everyday lives. One God Clapping is the story of his roundabout yet continuously provoking spiritual odyssey. It is also the story of the meeting between East and West in America, and the ways in which the encounter has transformed how all of us understand God and ourselves. Winner of the PEN / Joseph E. Miles Award Like a Zen parable or a Jewish folk tale, One God Clapping unfolds as a series of stories, each containing a moment of revelation or instruction that, while often unexpected, is never simple or contrived. One God Clapping, like the life of the remarkable Alan Lew himself, is a bold experiment in the integration of Eastern and Western ways of looking at and living in the world.
