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Adopting the modernist master Vladimir Nabokov as its guide, Nabokov in Motion: Modernity and Movement is an exploration of the radically changing social, historical, technological, and literary culture of the early 20th century, a time when modes of communication and transportation, especially, were changing society in drastic and profound ways. Across seventy microchapters that are by turn serious, ironic, informative, and playful, and which take on topics such as automobiles, trains, airplanes, electricity, elevators, advertisements, telegraphs, and telephones, Yuri Leving offers new ways to understand Nabokov, Russian literature, and technology, modernism, and world material culture. Nabokov's writings are analyzed against a broad context of prose and poetry and from the point of view of what Leving calls the poetics of urbanism in literature. Nabokov in Motion is a ground-breaking exploration of urban and material themes in literature and creates a complex and vibrant cultural fabric of which Nabokov is the master weaver.
A unique anthology devoted to a single story–“Signs and Symbols” by Vladimir Nabokov–which exposes the way we read and interpret short stories.
Since its first publication in 1948, one of Vladimir Nabokov's shortest short stories, "Signs and Symbols," has generated perhaps more interpretations and critical appraisal than any other that he wrote. It has been called "one of the greatest short stories ever written" and "a triumph of economy and force, minute realism and shimmering mystery" (Brian Boyd, Vladimir Nabokov: The American Years). Anatomy of a Short Story contains: • the full text of "Signs and Symbols," line numbered and referenced throughout • correspondence about the story, most of it never before published, between Nabokov and the editor of The New Yorker, where the story was first published • 33 essays of literary criticism, bringing together classic essays and new interpretations • a round-table discussion in which a screenwriter, a theater scholar, a mathematician, a psychiatrist, and a literary scholar bring their perspectives to bear on "Signs and Symbols" Anatomy of a Short Story illuminates the ways in which we interpret fiction, and the short story in particular.
The Goalkeeperis a new scholarly almanac devoted to the art of Vladimir Nabokov. Himself an ardent goalkeeper, the author of Lolita viewed soccer as more than a game: "I was less the keeper of a soccer goal than the keeper of a secret" (Speak, Memory). The inaugural collection features contributions from two dozen leading Nabokov scholars worldwide, including academic articles (Neil Cornwell, Gerard de Vries, Samuel Schuman, and others); roundtable discussions (Brian Boyd, Jeff Edmunds, Priscilla Meyer, David Rampton, Leona Toker); interviews (Dmitri Nabokov, Alvin Toffler); archival materials; the Kyoto Nabokov conference report; and book reviews (Pekka Tammi, Zoran Kuzmanovich, Galya Diment). The Nabokov Almanac, edited by Yuri Leving, is affiliated with the Nabokov Online Journal, published since 2007.
What should Lolita look like? The question has dogged book-cover designers since 1955, when Lolita was first published in a plain green wrapper. The heroine of Vladimir Nabokov's classic novel has often been shown as a teenage seductress in heart-shaped glasses--a deceptive image that misreads the book but has seeped deep into our cultural life, from fashion to film. Lolita - The Story of a Cover Girl: Vladimir Nabokov's Novel in Art and Design reconsiders the cover of Lolita. Eighty renowned graphic designers and illustrators (including Paula Scher, Jessica Hische, Jessica Helfand, and Peter Mendelsund) offer their own takes on the book's jacket, while graphic-design critics and Nabokov sch...
Shortly before Vladimir Nabokov died in 1977, he left instructions that the draft for his last novel, The Original of Laura, be destroyed. But in 2008 Dmitri Nabokov, the writer's only child and sole surviving heir, contravened his father's wishes. Formed from novelistic fragments that had been hidden from the public eye for three decades, The Original of Laura is a construction based on the conjecture of the Nabokov estate, publishers, and scholars. Shades of Laura returns to the "scene of the crime," elucidating the process of publishing Nabokov's unfinished novel from its conception - the reproduction of 138 handwritten index cards - to the simultaneous publication of translations of the ...
A leading German scholar reveals the secret history of Nabokov's infamous novel.
In Reimagining Nabokov: Pedagogies for the 21st Century, eleven teachers of Vladimir Nabokov describe how and why they teach this notoriously difficult, even problematic, writer to the next generations of students. Contributors offer fresh perspectives and embrace emergent pedagogical methods, detailing how developments in technology, translation and archival studies, and new interpretative models have helped them to address urgent questions of power, authority, and identity. Practical and insightful, this volume features exciting methods through which to reimagine the literature classroom as one of shared agency between students, instructors, and the authors they read together. "It is both ...
At the outbreak of the Second World War Vladimir Nabokov stood on the brink of losing everything all over again. The reputation he had built as the pre-eminent Russian novelist in exile was imperilled. In Nabokov and his Books, Duncan White shows how Nabokov went to America and not only reinvented himself as an American writer but also used the success of Lolita to rescue those Russian books that had been threatened by obscurity. Using previously unpublished and neglected material, White tells the story of Nabokov the professional writer and how he sought to balance his late modernist aesthetics with the demands of a booming American literary marketplace. As Nabokov's reputation grew so he t...
This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not...