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Staging Muslims in Britain
This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances. The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. Önder Çakırtaş critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds. This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Young People, New Theatre
Young People, New Theatre is a ‘how-to’ book; exploring and explaining the process of collaborating creatively with groups of young people across cultural divides. Organized into exercises, case studies and specific topics, this book plots a route for those wishing to put this kind of theatre into practise. Born out of the hugely successful ‘Contacting the World’ festival, it is the first practical handbook in this field. Topics include: debating the shared world What is collaboration? different ways of working adapting to specific age groups and abilities post-project evaluations.
The Book of Manchester
Manchester has a reputation for being one of the UK’s loudest cities. From its smoggy inception as the first industrial city to its proud traditions of protest and activism, to blazing a trail in the British music scene, the city has always been defined by an inexorable sense of urgency and activity. No wonder, then, that it feels compelled to shout so loudly about its accomplishments. In stark contrast, The Book of Manchester is more concerned with dialling down that sometimes deafening hubris. As international investment pours into the city, reshaping its skyline, these stories ask: at what cost? From the pair of homeless friends intent on shattering the ‘Manctopia’ property dream, to the middle-aged fangirl feeling abandoned by both her husband and her city, we follow the struggles of ordinary residents navigating a city in dramatic flux – stories of thrilling quietude that might otherwise be lost amid the roar and clamour.
Rites
Rites is a powerful and provocative new play exploring the deep-rooted cultural practice of Female Genital Mutilation (FGM). This ritual of enforced cutting has been performed for centuries and millions of girls worldwide, often as young as five years old, are still subjected to it. The reasons are complicated and myriad. It depends who you are what you've been taught. Some things are simple though: FGM is still happening across the world. FGM is happening in the UK, here and now. Rites is based on interviews and true stories from girls affected in Scotland and the rest of the UK, mothers who feel under pressure to continue the practice, and the experiences of midwives, lawyers, police officers, teachers and health workers trying to effect change in communities. Weaving together different perspectives into a multi-voiced production, the play explores the complexities, misconceptions and challenges involved in trying to change what is to many, a fundamental rite of passage.
My White Best Friend
What's the one thing that you need to say but have never dared? And who needs to hear it? Based on the original concept by playwright Rachel De-Lahay, this follow-up volume to My White Best Friend (And Other Letters Left Unsaid) collects a series of personal letters, monologues and writings by 20 Black and ethnically diverse writers from across the North of England. Sometimes funny, sometimes poignant, sometimes political and full of fire, these letters explore the personal and political of the things we don't dare say – even to those closest to us. Originally commissioned by Everyman & Playhouse theatres, Eclipse and the Royal Exchange in 2021, in response to The Bunker Theatre's critical...
My White Best Friend
"Based on the original concept by playwright Rachel De-Lahay and commissioned by Everyman & Playhouse theatres, Eclipse and the Royal Exchange, this follow-up volume to My White Best Friend (And Other Letters Left Unsaid) collects a series of 20 personal letters, monologues and writings by BIPOC writers from across the North of England. Sometimes funny, sometimes poignant, sometimes political and full of fire, these letters explore the personal and political of the things we don't dare say - even to those closest to us. Contributors include: Yusra Warsama, Malika Booker and Jamal Gerald"--
The Claim
The Claim gently invites you into the most British of interviews, then morphs into a dizzying onslaught of bureaucracy and prejudice. A bold, imaginative response to the stories of those seeking refuge in the UK, this play asks what happens when your life is at stake and all you have to save it are your words.
Awaaz
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Crisis, Representation and Resilience
"A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis. It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis. Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005. Topics discussed include: Ageing Austerity Gender Migrancy Race Aesthetics Companies discussed include: Theatre Uncut Take Back Theatre Camden Peoples People Lun...
