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Lola and Grandpa is the story of a young girl and the tender, loving relationship she shares with her grandpa. When Lola’s grandpa passes away, she struggles to cope. However, as time passes Lola starts to remember all of the special times they shared. She can see her grandpa reflected in all of the things around her and realises that even though he is no longer physically with her, they will always remain connected.
Yvonne Orji has never shied away from being unapologetically herself, and that includes being outspoken about her faith. Known for interpreting Biblical stories and metaphors to fit current times, her humorous and accessible approach to faith leaves even non-believers inspired and wanting more.The way Yvonne sees it, God is a Sovereign Prankster, punking folks long before Ashton Kutcher made it cool. When she meditates on her own life--complete with unforeseen blessings and unanticipated roadblocks--she realises it's one big testimony to how God tricked her into living out her wildest dreams. And she wants us to join in on getting bamboozled. This is not a Self-Help book--it's a Get Yours bo...
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
May 1910. Linda's father is missing in Paris, and her only clue is the Jack of Spades card that was sent to their home in London. In the family code, 'Jack of Spades' means danger. But it is not her father's handwriting on the envelope! Setting out to look for him, Linda is soon whirled into a frightening world where nothing is as it seems. Who are the people following her? What was her father really doing in Paris? Who can she really trust? As she works against time to try and solve the mystery of her father's disappearance with the help of some new friends, Linda begins to realise that she has stumbled into a dark and dangerous conspiracy which threatens the future of the whole world.
This book provides the first comprehensive study of feminisms and contemporary arts in Indonesia. While Indonesian contemporary arts are currently on the rise in the global art scene, no in-depth study has been done on the works of Indonesian women artists and the feminist strategies they employ when operating within the Indonesian art world. Focusing on Arahmaiani, Titarubi, and IGAK Murniasih amongst others, this pioneering work uses feminist reading to analyse the works of Indonesian women artists historically and today. It also illuminates the sociocultural and political contexts in which the artists worked and a nuanced understanding of local feminisms in Indonesia. These artists achieve this in feminist terms by orienting their works towards the production of positive images of the female body, expression of female desire, and adherence to certain universal principles such as erotic appeal and inclusiveness in attempting to formulate or convey a conceptual ideal.
This new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand, and beyond. The collection sheds new light on the significance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of postcolonialism and the Cold War, the legacies of which continue to shape the region today. This book will appeal to readers interested in intersections of art history and the histories of modernism, postcolonialism, and the Cold War; the disciplines of architecture, photography, installation; and the histories and cultures of Southeast Asia.
The Routledge Companion to Art and Activism in the Twenty-First Century brings together a wide range of geographical, cultural, historical, and conceptual perspectives in a single volume of new essays that facilitate a deeper understanding of the field of art activism as it stands today and as it looks towards the future. The book is a resource for multiple fields, including art activism, socially engaged art, and contemporary art, that represent the depth and breadth of contemporary activist art worldwide. Contributors highlight predominant lines of inquiry, uncover challenges faced by scholars and practitioners of activist art, and facilitate dialogue that might lead to new directions for ...
In this book, contributors identify and explore a range of iconic works – "Mistress-Pieces" – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a "Mistress-Piece" as a work that has proved influential in a particular context because of its distinctiveness and relevance. Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt □and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender. The book will be of interest to scholars working in art history, visual studies and gender studies.