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The first study exploring the lives of female slaves of the Ottoman imperial court, drawing from hitherto unexplored primary sources
The Ottomans, who patronaged the muslim and non-muslim nations from Indonesia to Spain, from the Crimea to Yemeni always pursued justice and brought it to the lands they conquered, as well as development and civilization without any language, religion and race discrimination. Only the Ottomans was bestowed with establishing a government ruled by 36 sultans, lasted for 622 years uninterrupted in the history of the world. The Sultans of the Ottoman Empire, from Osman Ghazi to Vahdettin Khan who ascended the throne had done important works as much as possible to keep the state on its feet, for the public welfare and content. Today, as the archives are opened and new documents are emerged, many secrets about the sultans and their periods come out.
Aybars Oztuna addresses the personal characteristics essential to successful leadership, management and administration. He talks about how to develop leadership skills, perspectives on leading and managing, how to become a good leader and delves into the concepts of management. This book will inform you on effective ways to think and act in management roll.
The aim of these studies is to explore the scientific activity and learning that took place within the Ottoman empire, a subject often neglected by both historians of science and of the Ottoman world. Professor Ihsanoglu has been a pioneer in this field. In several papers he analyses the continuing tradition of Arabic science inherited by the Ottomans, together with the contributions made by the conquered Christian and incoming Jewish populations. The main focus, however, is upon the Ottoman reaction to, accommodation with, and eventual acceptance of the Western scientific tradition. Setting this in the context of contemporary cultural and political life, the author examines existing institutions of learning and the spread of ’Western-style’ scientific and learned societies and institutions, and charts the adoption of the ideas and methods of Western science and technology. Two case studies look in particular at astronomy and at the introduction of aviation.
Print culture, in both its material and cognitive aspects, has been a somewhat neglected field of Middle Eastern intellectual and social history. The essays in this volume aim to make significant contributions to remedying this neglect, by advancing our knowledge and understanding of how and why the development of printing both affected, and was affected by, historical, social and intellectual currents in the areas considered. These range geographically from Iran to Latin America, via Kurdistan, Turkey, Egypt, the Maghrib and Germany, temporally from the 10th to the 20th centuries CE, and linguistically through Arabic, Judæo-Arabic, Syriac, Ottoman Turkish, Kurdish and Persian.
The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.
Contributions originally presented at a conference held in Munich in 2007.
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.