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Disasteroid!
Full-Length Musical | When tax auditor and amateur astronomer Arthur Edgley discovers a massive asteroid hurtling towards Earth, he begins a journey of self-discovery leading him to Mabel Bellcoat, an unsatisfied woman of means. The couple decide to spend the Last Days traveling around the world on a romantic journey, on the run from Mabel's powerful and jealous husband. But will Arthur and Mabel find meaning in their lives before they're cut short? And what if Arthur is wrong and the planet does keep spinning? But as this charming and off-kilter romantic musical comedy races to its thrilling conclusion, the two lovers discover that sometimes the end of the world isn't the end of the world. (2F, 2M)
Thinking in and about Music
On Milton Babbitt, Schenkerian -- Construction, Cognition, and the Role of the Surface -- The Seam in Babbitt's Compositional Development : Composition for Tenor and Six Instruments -- The Surface and the Series in Composition for Four Instruments -- Poetic Form and Psychological Portraiture in Babbitt's Early Texted Works -- Completeness and Temporality -- Babbitt's Gestural Dialectics -- Afterword. "Anything Vital is Problematical".
Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960
"This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, sol...
Customs Bulletin
None
Michigan Ensian
None
A Dictionary of the Avant-Gardes
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
