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“Constant Words Awakening the World (醒世恒言 Xing Shi Heng Yan) is the third of a trilogy of widely celebrated Ming dynasty (1368–1644) vernacular story collections, compiled and edited by Feng Menglong. The first compilation, called Gujin Xiaoshuo (古今小説) (Stories Old and New), which is sometimes also referred to as Yushi Mingyan (喻世明言) (Clear Words to Understand the World) was published in Suzhou in 1620. The second publication was called Jingshi Tongyan (警世通言) (Warnings of the World). These three collections, often referred to as Sanyan (三言, "Three Words") because of the character yan (言) found at the end of each title, each contain 40 stories. Xingshi Hengyan is considered to be a huaben (话本), that is, short novel or novella. The huaben genre has been around since the Song dynasty (960-1279). The huaben genre includes collections of short stories, historical stories, and even stories from Confucian classics.
Every lore of every clan, across time and space, dreamed of dragons. Did you ever wonder why? Erebu the Black Dragon must answer the Jade Emperor's summons to repay the debt for his miraculous resurrection from a fatal battle. Accompanying him is his Phoenix Mate, Sorin. Their success is limited by seemingly arbitrary rules and an even more arbitrary sandglass of time. The only things they can count on is that: 1) each of their quests takes them to a time in the past, 2) they will witness (and perhaps even enable) True Love along the way, and 3) the Universal Balance hangs in...well, the balance. Their fourth task is to find and retrieve the Myth of the Pale Prince. Except, this time, there...
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Being able to collect valid data is crucial for empirical science disciplines such as linguistics, developmental psycholinguistics, clinical psycholinguistics and speech and hearing sciences. In recent years there has been an increasing use of digital devices for remote language assessments, such as online elicitation of language samples, apps for eliciting expressive and productive lexical abilities, and online questionnaires. With the ongoing COVID-19 pandemic still affecting many lives globally, there have been numerous disruptions of face-to-face, in-person language assessments, leading many researchers to conduct their language assessments online. Despite the necessity of remote languag...
Stories to Awaken the World, the first complete translation of Xingshi hengyan, completes the publication in English of the famous three-volume set of Feng Menglong's popular Chinese-vernacular stories. These tales, which come from a variety of sources (some dating back centuries before their compilation in the seventeenth century), were assembled and circulated by Feng, who not only saved them from oblivion but raised the status of vernacular literature and provided material for authors of the great Ming (1368-1644) and Qing (1644-1911) novels to draw upon. This trilogy has been compared to Boccaccio's Decameron and the stories of A Thousand and One Nights. Peopled with scholars, emperors, ...
Qing Qiu's Fox Lord had a demonic short life, and the newly appointed Fox Lord was still a young man. With the so-called 'previous dynasty's Venerable One', this Fox Lord was trembling in fear and trepidation. Green Painting: What do you like about me, Dongluo? Dongliu: Well, you are infatuated with me about this. I like it very much. [Previous Chapter] [Table of Contents] [Next Chapter] Qing-li: Don't flirt in public! There was even someone gasping for breath! A short introduction: This is a bamboo horse guarding the green plum in the end to take the green plum into the nest nibbling.
Maonan is a Kam-Tai (Tai-Kadai) language spoken by 75,000 people in the border area of Guangxi and Guizhou provinces of China. This grammar book is the first volume to account for the phonology, word-formation, syntax, grammaticalization and lexicalization patterns of Maonan from a typological and ethno-linguistic perspective. It renders a comprehensive description of Maonan with analysis of the neutralization of semantic macroroles and the dialectic interrelations between subject and topic. Particular attention is paid to the interplay between syntactic and semantic valencies.The detailed analysis of the Maonan aspects is also unprecedented. It examines Maonan tone sandhi from a totally new approach. The book also gives a full description of the clause final particles of Maonan.