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The impressive oeuvre of P. K. Page spans genres, formats and art forms, but through it all, the child and the childlike remain integral aspects of imagery and meaning. The verses, plays, fables and essays in Metamorphosis celebrate the child’s unique ability to look, to see, to fashion immense worlds out of the smallest of things; they affirm the importance of fun, nonsense and language play; and they seek to impart spiritual wisdom through rich, complex narratives whose lessons of transcendence and metamorphosis amuse and astonish young readers. In this sixth volume in the Collected Works of P. K. Page, editor Margaret Steffler explores Page’s diverse forays into the fantastical, dreamlike worlds of children’s literature, documenting Page’s ongoing efforts to recover the mysterious and elusive source of childhood. In so doing, she reveals the ways in which Page provides readers of all ages with the ability to throw open the doors between youth and adulthood, and to rediscover the imagination and vision of days gone by.
This text announces a bold revision of the genealogy of Canadian literary modernism by foregrounding the originary and exemplary contribution of women poets, critics, cultural activists, and experimental prose writers.
At an early age, P. K. Page/Irwin displayed an aptitude for illustration, and even her juvenalia indicated a sharp, painterly eye. But it wasn’t until she visited Brazil in the 1950s as wife of the Canadian ambassador, that she began to hone her artistic practice. Under her married name, P. K. Irwin, she produced a wide array of paintings, drawings and other artworks, experimenting with media and styles as she sought to develop her own visual aesthetic, and to reconcile her celebrated poetic identity with her more private, painterly one. In The Art of P. K. Irwin, Michèle Rackham Hall investigates the artist’s creative development and examines the exotic locales and the wealth of accomplished peers who helped shape Irwin’s artistic output. With rich biographical detail and extensive reference to Irwin’s lyrical life writing, The Art of P. K. Irwin takes readers along on the artist’s journey toward her own aesthetic, one in which "place was her most potent muse, and exile her most fertile state."
In the final volume of the Collected Works of A.M. Klein, Elizabeth Popham completes the process of restoring the public voice of one of Canada's most respected authors. A.M. Klein: The Letters is the first compilation of a significant body of Klein's correspondence. Using his communications to construct a compelling narrative, Popham traces Klein's career from his apprenticeship to great critical success and his tragically premature silence. The content of Klein's letters gives new resonance to his works, most notably to his critically acclaimed novel The Second Scroll (1951) and his Governor General Award-winning The Rocking Chair and Other Poems (1948). In his exchanges with publishers an...
First published in 1951, The Second Scroll is the only novel by A.M. Klein, a complex work rich with biblical, talmudic, kabbalistic, and literary allusions. This scholarly edition annotates and restores the text to Klein's original vision.
Gerald K. Stone has collected books about Canadian Jewry since the early 1980s. This volume is a descriptive catalog of his Judaica collection, comprising nearly 6,000 paper or electronic documentary resources in English, French, Yiddish, and Hebrew. Logically organized, indexed, and selectively annotated, the catalog is broad in scope, covering Jewish Canadian history, biography, religion, literature, the Holocaust, antisemitism, Israel and the Middle East, and more. An introduction by Richard Menkis discusses the significance of the Catalog and collecting for the study of the Jewish experience in Canada. An informative bibliographical resource, this book will be of interest to scholars and students of Canadian and North American Jewish studies.
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of t...
During WWII, a number of Canadian poets converged on Montreal and rewrote the story of modern English-Canadian poetry. The book discusses the four major English-Canadian poets to emerge in the 40s; PK Page, AM Klein, Irving Layton and Louis Dudek.
Poet, traveller, artist, and mystic - the story of one extraordinary woman's many lives.