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In this comparative study of six Canadian novels Marie Vautier examines reworkings of myth in the postcolonial context. While myths are frequently used in literature as transhistorical master narratives, she argues that these novels destabilize the traditional function of myth in their self-conscious reexamination of historical events from a postcolonial perspective. Through detailed readings of François Barcelo's La Tribu, George Bowering's Burning Water, Jacques Godbout's Les Têtes à Papineau, Joy Kogawa's Obasan, Jovette Marchessault's Comme une enfant de la terre, and Rudy Wiebe's The Scorched-Wood People, Vautier situates New World myth within the broader contexts of political history and of classical, biblical, and historical myths.
This new edition of Women in Ancient America draws on recent advances in the archaeology of gender to reexamine the activities, roles, and relationships of women in the prehistoric Native societies of North, Central, and South America. Women—and women’s work—have been crucial to the survival and success of American peoples since ancient times. And as hunting and foraging societies developed farming techniques and eventually created permanent settlements, women’s roles changed. Karen Olsen Bruhns and Karen E. Stothert consider the various economic adaptations that followed, as well as the ways in which women participated in food production and the specialized industries of their socie...
The ancient cultures of Mexico and Peru are renowned for their imposing architecture and the cruelty of their religious practices. The intriguing myths on which their beliefs were based -- the tales of the feathered god Quetzalcoatl and his enemy Tecatlipoca, Lord of the Night Winds and of Pachacamac, Peruvian spirit of the Earth -- are described here. This detailed exploration looks at the Toltec and Aztec peoples of central Mexico, the Mayans of the Yucatan and the Incas of Peru. The eminent anthropologist Lewis Spence also describes their social org. and intellectual achievements. First published in 1920.
This book, in its enthusiasm for the plays themselves, attempts to bridge the gap between these rival approaches, aiming at a distinct refocusing of political criticism upon the Shakespearean text as realised in performance.
Weaving the Past offers a comprehensive and interdisciplinary history of Latin America's indigenous women. While the book concentrates on native women in Mesoamerica and the Andes, it covers indigenous people in other parts of South and Central America, including lowland peoples in and beyond Brazil, and Afro-indigenous peoples, such as the Garifuna, of Central America. Drawing on primary and secondary sources, it argues that change, not continuity, has been the norm for indigenous peoples whose resilience in the face of complex and long-term patterns of cultural change is due in no small part to the roles, actions, and agency of women. The book provides broad coverage of gender roles in nat...
A feminist encyclopaedia focusing on mythology, anthropology, religion and sexuality. Discover where the legend of a cat's nine lives comes from, why mama is a word understood in nearly all languages and whether there really was a female Pope.
Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.
Translators’ contribution to the vitality of textual production in the Renaissance is still often vastly underestimated. Drawing on a wide variety of sources published in Spanish, Portuguese, Italian, Latin, German, English, and Zapotec, this volume brings a global perspective to the history of translators, and the printed book. Together the essays point out the extent to which particular language cultures were liable to shift, overlap, shrink, and expand during one of the most defining periods in the history of print culture. Interdisciplinary in approach, Trust and Proof investigates translators’ role in the diffusion of discourse about languages and ancient knowledge, as well as changing etiquettes of reading and writing.
The conflicts between love and hate, good and evil, and life and art are explored in a portrait of Alaric Darconville, a twenty-nine-year-old professor at Quinsy College--a women's college in Virginia--who falls in love with and is jilted by one of his students