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Published on the occasion of an exhibition at the Fundaciâo Joan Mirâo, February 15-may 19, 2019.
On the occasion of Italio-Brazilian architect Lina Bo Bardi's one hundredth birthday, this richly illustrated volume presents an overview of her oeuvre and highlights iconic buildings, such as her own home, the so-called Casa de Vidro, the Museo de Arte de Sao Paulo, and the cultural center SESC Pompeia. This is a spectacular book on a celebrated architect. Spanning architecture, stage sets, fashion, and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of Brazil, its culture, society, and politics, and she productively and provocatively voiced her sometimes radical views through designs, exhibitions, and writings.
This book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. The first section provides a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.
From furniture and exhibition design to monumental domestic and public architectural projects, the breadth of Lina Bo Bardi's multidisciplinary work is showcased in this richly illustrated book. Lina Bo Bardi is regarded as one of the most important architects in Brazil's history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed "Casa de Vidro" ("Glass House"), her first built work, where she and her husband would live for the rest of their lives. She ...
Latin American cities have always been characterized by a strong tension between what is vaguely described as their formal and informal dimensions. However, the terms formal and informal refer not only to the physical aspect of cities but also to their entire socio-political fabric. Informal cities and settlements exceed the structures of order, control and homogeneity that one expects to find in a formal city; therefore the contributors to this volume - from such disciplines as architecture, urban planning, anthropology, urban design, cultural and urban studies and sociology - focus on alternative methods of analysis in order to study the phenomenon of urban informality. This book provides a thorough review of the work that is currently being carried out by scholars, practitioners and governmental institutions, in and outside Latin America, on the question of informal cities.
Clara Irazábal and her contributors explore the urban history of some of Latin America’s great cities through studies of their public spaces and what has taken place there. The avenues and plazas of Mexico City, Havana, Santo Domingo, Caracas, Bogotaì, SaÞo Paulo, Lima, Santiago, and Buenos Aires have been the backdrop for extraordinary, history-making events. While some argue that public spaces are a prerequisite for the expression, representation and reinforcement of democracy, they can equally be used in the pursuit of totalitarianism. Indeed, public spaces, in both the past and present, have been the site for the contestation by ordinary people of various stances on democracy and citizenship. By exploring the use and meaning of public spaces in Latin American cities, this book sheds light on contemporary definitions of citizenship and democracy in the Americas.
This unique book documents the work and lives of two 20th-century architects, Lina Bo Bardi and Albert Frey, whose shared beliefs anticipated today's architectural principles of integration among humans, earth, and the built environment. This book proposes a dialogue between two key 20th-century architects, Albert Frey and Lina Bo Bardi. Frey moved from Switzerland to the U.S. in the early 1930s and Bo Bardi emigrated from Italy to Brazil after the end of World War II. While they never met, their intellectual odysseys overlapped. Both fostered the integration among architecture, landscape, and people, helping transform the architectural culture in their adoptive countries. Their design affin...
div The first major retrospective of the Brazilian modernist architect's life and work/DIV
Catalogo della mostra di Città del Messico (Museo Carrillo Gil, 21 gennaio / 25 febbraio 1998). Nel 1997 la Triennale di Milano presentò il lavoro di questa donna straordinaria, un architetto italiano (Roma 1914 / San Paolo del Brasile 1992) che, trasferitasi in Brasile, ha realizzato per la collettività progetti di straordinaria forza e bellezza. Il volume propone un viaggio affascinante da Roma, città natale di Lina, al Brasile, attraverso architettura, scenografia, design e arte popolare. Annotation Supplied by Informazioni Editoriali