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As the first self-teaching course in Jimmy Du’s Natural Language Works, Jimmy Du’s Essential Chinese is an audio-companion book specially designed to help you master Mandarin Chinese in the shortest time possible. The promise is that you will simply “pick it up” if you just spend a little time following this course while relaxing at home, taking a walk, commuting to work or travelling. You don’t have to sit in a classroom, consult the dictionary, study grammar or do any written exercises. This least-effort principle is based on the understanding that we human beings all have an innate aptitude for picking up any human language, native or foreign. All you have to do is keep listening to what you can immediately understand, imitate, and put to use. For the highest efficiency, we have provided easy-to-understand explanations and translations of everything in the text. The text contents are carefully selected so that they will not only serve as a basis for you to expand your vocabulary, but also help you learn the nature of the Chinese language and how it works.
The book begins with a history of previous translations of Tang tales, surveying how Chinese scholarship has shaped the reception and rendition of these texts in the West. In that context, Tang Dynasty Tales offers the first annotated translations of six major tales (often called chuanqi, “transmitting the strange”) which are interpreted specifically for students and scholars interested in medieval Chinese literature. Following the model of intertextual readings that Glen Dudbridge introduced in his The Tale of Li Wa (Oxford, 1983), the annotation points to resonances with classical texts, while setting the tales in the political world of their time; the “Translator's Notes” that fol...
In The Poet Zheng Zhen (1806-1864) and the Rise of Chinese Modernity, J. D. Schmidt provides the first detailed study in a Western language of one of China's greatest poets and explores the nineteenth-century background to Chinese modernity, challenging the widely held view that this is largely of Western origin. The volume contains a study of Zheng's life and times, an examination of his thought and literary theory, and four chapters studying his highly original contributions to poetry on the human realm, nature verse, narrative poetry, and the poetry of ideas, including his writings on science and technology. Over a hundred pages of translations of his verse conclude the work.
The Chinese Language Demystified offers a detailed exploration of the features that have made Mandarin Chinese so unique among the major languages of the world, particularly English and other European linguistic forms of communication. While discussing the aspects that contribute to the perception of the language as somewhat ‘mysterious,’ the book also investigates how it is comprehended and used by the Chinese people despite its lack of formal grammatical structure in the conventional terms of understanding.
This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second analyses the application of this knowledge in musical practice. The discussion turns, in the third part, to a new field of music theory broadly labelled as performance studies. Focused on physical and psychological events, this section broaches fundamental issues such as gesture, bodily movement, expression, emotion, a whole set of processes that act within the framework of performance. The final section addresses the artistic practices in the 21st century across present-day cultural contexts. Proposing a space for reflection in which one tries to imagine the relation between the scientific field and the interpretative process, this volume reflects the central issues of research in performance analysis, establishing connections between different disciplines, methodologies and research trends. It will be of essential interest to researchers, musicians and performers, and music students.
A new translation of the 6th-century Taoist text Bai Yao Lu (Statutes of the Hundred Remedies), with practical commentary • Explains how the Hundred Remedies of the Bai Yao Lu offer a practical guide to what enlightened or sagely behavior looks like • Shows how each short verse of the Hundred Remedies presents a spiritual precept as a solution to the problems encountered in daily life and on the spiritual path • Provides insightful commentary for each of the Hundred Remedies, showing how they relate to meditation practice and can help us navigate emotional and social challenges In modern Taoist practice, the emphasis is often on “going with the flow” (wu-wei) and not following any ...
This is the first book to explore color history in Asia. Color is a natural phenomenon and a fundamental element of the universe, and offers a medium to communicate with others globally. It is a language of signals, such as traffic lights, signs or symbols, and an essential part of society. Color attracts people’s attention and transmits important information. As such, color language denotes all of the activities of human history, and has been associated with changes in society, economic development, and dynasties replacing the old with the new. The book brings together many elements of Chinese history with reference to the topic of ‘color’ and has evolved from the authors’ respectiv...
The Silk Road, a historical network of interlinking trade routes across the Afro-Eurasian landmass, was of great importance to the transport of peoples, goods, and ideas between the East and the West. Although its main use was for importing silk from China, traders moving in the opposite direction carried to Central China jewellery, glassware, and other exotic goods from the Mediterranean, jade from Khotan, and horses and furs from the nomads of the Steppe. The Silk Road brought together the achievements of the different peoples of Eurasia to advance the Old World as a whole.
Chinese literature has been the slave of politics at least since 1948 and especially during the Cultural Revolution. So repressed and convoluted is most Chinese literature that the West cannot read it as literature at all but rather as sociological and political texts. Professor Duke believes this has changed enough since 1977 to permit genuine literary analysis. This book surveys and analyzes the most important literary events in the PRC from 1977 to 1982. Chapter I covers the significant changes in the Chinese Party line on literature and art during this period and thus provides the backdrop for literary and artistic endeavor. Subsequent chapters deal with the critique of Chinese literature by China's own writers, the neo-realistic fiction of 1979-80, the nonfiction works of a courageous investigative reporter for the People's Daily, and the theme of humanism and its treatment in the works of Bai Hua and Dai Houying. The final chapter discusses the post-Mao generation of young writers, who are trying to create works that go beyond narrowly ideological boundaries of the past and reach toward a true modern Chinese literature.