You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Silk Road, a historical network of interlinking trade routes across the Afro-Eurasian landmass, was of great importance to the transport of peoples, goods, and ideas between the East and the West. Although its main use was for importing silk from China, traders moving in the opposite direction carried to Central China jewellery, glassware, and other exotic goods from the Mediterranean, jade from Khotan, and horses and furs from the nomads of the Steppe. The Silk Road brought together the achievements of the different peoples of Eurasia to advance the Old World as a whole.
The book begins with a history of previous translations of Tang tales, surveying how Chinese scholarship has shaped the reception and rendition of these texts in the West. In that context, Tang Dynasty Tales offers the first annotated translations of six major tales (often called chuanqi, “transmitting the strange”) which are interpreted specifically for students and scholars interested in medieval Chinese literature. Following the model of intertextual readings that Glen Dudbridge introduced in his The Tale of Li Wa (Oxford, 1983), the annotation points to resonances with classical texts, while setting the tales in the political world of their time; the “Translator's Notes” that fol...
This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second analyses the application of this knowledge in musical practice. The discussion turns, in the third part, to a new field of music theory broadly labelled as performance studies. Focused on physical and psychological events, this section broaches fundamental issues such as gesture, bodily movement, expression, emotion, a whole set of processes that act within the framework of performance. The final section addresses the artistic practices in the 21st century across present-day cultural contexts. Proposing a space for reflection in which one tries to imagine the relation between the scientific field and the interpretative process, this volume reflects the central issues of research in performance analysis, establishing connections between different disciplines, methodologies and research trends. It will be of essential interest to researchers, musicians and performers, and music students.
This is the first book ever published in the West on drama in the Peoples Republic of China. The plays, playwrights, theories, and performances range from the play that inflamed the Cultural Revolution to a post-Mao satiric drama that upset party leaders; from Jiang Qings drama theory for her model plays to the discovery of Bertolt Brecht; from the problems and dilemmas that confront theater reform in the post-Mao era to the performance of Ibsens Peer Gynt and Viennese operettas; and from a historical play glorifying Maos supremacy to a playwright calling for individualism and womens rights. This book not only depicts aspects of drama in the Peoples Republic of China, it also provides analyses of the political and social conditions that shaped and are represented in this drama.
In The Poet Zheng Zhen (1806-1864) and the Rise of Chinese Modernity, J. D. Schmidt provides the first detailed study in a Western language of one of China's greatest poets and explores the nineteenth-century background to Chinese modernity, challenging the widely held view that this is largely of Western origin. The volume contains a study of Zheng's life and times, an examination of his thought and literary theory, and four chapters studying his highly original contributions to poetry on the human realm, nature verse, narrative poetry, and the poetry of ideas, including his writings on science and technology. Over a hundred pages of translations of his verse conclude the work.
Traditional Chinese Rites and Rituals provides a comprehensive overview of the social practices of Chinese people on various occasions of cultural importance. While explaining how these rites and rituals are performed, it also introduces the reasons why certain norms are followed by individuals, families and the state as a whole. As such, the book offers a kaleidoscopic perspective on the plurality evident in all facets of Chinese culture.
He had both martial arts and medical skills, and went down the mountain to carry out the tasks assigned to him by his master. However, in the city, there were too many grudges and conflicts of influence. The youth that just left the mountain relied on his medical skills and ancient martial arts to protect his master's daughter from harm!
This book is a printed edition of the Special Issue "Dietary Pattern and Health" that was published in Nutrients
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Creating the Intellectual redefines how we understand relations between intellectuals and the Chinese socialist revolution of the last century. Under the Chinese Communist Party, “the intellectual” was first and foremost a widening classification of individuals based on Marxist thought. The party turned revolutionaries and otherwise ordinary people into subjects identified as usable but untrustworthy intellectuals, an identification that profoundly affected patterns of domination, interaction, and rupture within the rev...