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The Scent of Roses
You'd be surprised how a simple thing like locking up your husband in the same room as you, makes you aware of something. Of being alive. The Scent of Roses begins with a wife who takes her husband hostage in order to have an honest conversation. This simple, transgressive act, and her demand for a straight answer, sparks a chain of conversations, interrogations, obfuscations and revelations, as they and those around them try to discover what is real and who they can trust in a post-truth world. Zinnie Harris's The Scent of Roses premieres at the Royal Lyceum Theatre, Edinburgh, in February 2022.
Further than the Furthest Thing
On a remote island in the middle of the Atlantic secrets are buried. When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.
How to Hold Your Breath
Because we live in Europe. Because nothing really bad happens. The worst is a bit of an inconvenience. Perhaps not such a good mini break. But really in the grand scheme of life, not so bad. Starting with a seemingly innocent one night stand, this dark, witty and magical play by Zinnie Harris dives into our recent European history. An epic look at the true cost of principles and how we live now, How to Hold Your Breath premiered at the Royal Court Theatre in February 2015.
Zinnie Harris: Plays 1
In this first collection by Zinnie Harris, Further than the Furthest Thing evokes the fragility of an island community as their way of life is threatened and they must determine their future, while Midwinter opens as a woman steals a dead horse to feed to a child. How To Hold Your Breath tells the story of a woman who sleeps with the devil and defends her belief in love, even as her world collapses around her, and Meet Me at Dawn offers a compelling, allegorical love story that explores the desolating effects of grief. With an introduction by director Dominic Hill. Further than the Furthest Thing 'Already has the status of a modern classic.' Lyn Gardner, Guardian 'Arguably the greatest tragedy in the Scottish theatrical canon' Mark Brown, Telegraph Midwinter 'There is no mistaking her talent' Observer 'A stunning metaphor for our time' Herald How to Hold Your Breath 'Harris's writing is not only wonderfully imaginative, but also beautifully light.' Tribune 'Dizzyingly bold . . . pressingly topical and admirably ambitious' Financial Times Meet Me at Dawn 'A twenty-first-century classic' Scotsman 'Lyrical, raw and hazy' Sunday Times
A Doll's House
The Vaughans are all set to enjoy Christmas. Thomas has been promoted and Nora is delighted. Everything at last seems to be going right, until a visitor arrives uninvited and causes them to question just how perfect their marriage is. Henrik Ibsen's A Doll's House caused outrage both in its style and subject matter when first staged in 1879. Zinnie Harris's retelling is played against the backdrop of British politics at the turn of the last century - to revel a world where duty, power and hypocrisy rule. Zinnie Harris's version of A Doll's House premiered at the Donmar Warehouse, London, in May 2009.
The Wheel
A man is banished in a soldier's hearing. His daughter is left to wander. In a rash moment, Beatriz offers to take the child back to her father, and so starts an unimaginable journey across continents and in and out of war zones. But in their need to survive, the woman and the child transform in ways that become irreversible. The Wheel by Zinnie Harris premiered at the Traverse Theatre, Edinburgh, in August 2011 in a production by the National Theatre of Scotland. Zinnie Harris is a playwright and screenwriter, her work includes the multi-award-winning play Further than the Furthest Thing, and Spooks. 'A glorious luminosity of spirit...really rather special.' Financial Times on Further than the Furthest Thing
Meet Me at Dawn
Two women wash up on a distant shore following a violent boating accident. Dazed by their experience, they look for a path home. But they discover that this unfamiliar land is not what it seems - and that, though they may be together, they have never been further apart.Unflinchingly honest and tenderly lyrical, Meet Me at Dawn is a modern fable exploring the triumph of everyday love, the mystery of grief, and the temptation to become lost in a fantasy future that will never be.Meet Me at Dawn by Zinnie Harris premiered at the Traverse Theatre, Edinburgh, in August 2017.
Nightingale and Chase
Played this game. Inside, with the other girls. The 'he is going to meet you' game. The 'he is going to meet you with flowers' game. The 'he is going to turn up in a limo' game. The 'he is going to bring champagne' game. The 'he is going to cover you in kisses, or cum, or love bites or bloody Belgian chocolate' game, doesn't matter but when you walk out of those gates. He is going to be there, that is the game.Chase is waiting to be released from prison. And Nightingale is there to meet her. Everything is under control and they're both going to get it right. This time.Nightingale and Chase premiered at the Royal Court Theatre, London, in September 2001.
Solstice
A family is riven by intergenerational conflict when forced to resettle in an oppressive state. Solstice explores themes of faith and terror in a world slipping out of control. Zinnie Harris' Solstice is her second RSC commission and marks the first in a trilogy of plays, Solstice, Midwinter (New Work Festival 2004) and Fall. Solstice premiered at The Other Place, Stratford-upon-Avon, in March 2005.
Midwinter
A pedlar announces that the war is over; and as the soldiers return in the fragile peace that follows, the starving people are left to build new lives, to forge new identities. Written in a spare and lyrical language, Midwinter is a play about now, about love, self and a world made from conflict. Midwinter premiered as part of the RSC New Work Festival at the Swan Theatre, Stratford-upon-Avon, in October 2004. It is the second in a trilogy of plays which begins with Solstice and culiminates in Fall.
