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This edited collection brings together contemporary research that uses corpus linguistics to carry out discourse analysis. The book takes an inclusive view of the meaning of discourse, covering different text-types or modes of language, including discourse as both social practice and as ideology or representation.
After seven years of going through Hell, adjusting to a new life, a new town and new people are the least of Zoey's problems. First of all, she has to learn how to breathe again, how to stop her body from reacting to any touch, no matter how small, and how not to flinch at every noise. She has to learn how to no longer be an empty and haunted shell. She must find a way to silence her demons so she can learn what it means to be alive. But surely the old and rickety bridge on the outskirts of the city, a hidden, forgotten and unsafe place, which she finds by chance, does not make her job any easier. Not when the swirling cold waters beckon her with a sweet song to abandon all her fears, to dro...
"Grounded in the field of adult education, this international compilation offers a range of critical perspectives on popular culture as a form of pedagogy. Its fundamental premise is that adults learn in multiple ways, including through their consumption of fiction. As scholars have asserted for decades, people are not passive consumers of media; rather, we (re)make our own meanings as we accept, resist, and challenge cultural representations. At a time when attention often turns to new media, the contributors to this collection continue to find “old” forms of popular culture important and worthy of study. Television and movies – the emphases in this book – reflect aspects of consume...
A homework assignment to write an essay about what his life might be like a few decades into his future should be an easy task for Sam Foster. After all, Sam is the inventor of a time machine. With his friend from the past, Meg Clayton, Sam journeys to the year 2040 to investigate his fate firsthand. It doesn't take long for Sam to find information about his future self. Not only does he become a wealthy businessman, he makes a name for himself in the world of computer technology. It appears Sam is destined for fame and fortune. But the pair also discovers something about "Older Sam" that stuns them: Sam's future self died just five years earlier, at the age of 45. Will Sam and Meg be able to stop this "future shock" from happening? Or is Sam's destiny sealed for all time?
For once, these men are the objects; I am the subject. Me, me, me. Rosemary Mac Cabe was always a serial monogamist – never happier than when she was in a relationship or, at the very least, on the way to being in one. But in her desperate search for ‘the one’ – from first love to first lust, through a series of disappointments and the searing sting of heartbreak – she learned that finding love might mean losing herself along the way. This Is Not About You is a life story in a series of love stories. About Henry, with the big nose and the lovely mum, with whom sex was like having a verruca frozen off in the doctor’s surgery: ‘uncomfortable, but I had entered into this willingly’. About Dan, with the goatee. About Luke, who gave her a split condom. About Frank, who was married... But mostly, it’s about Rosemary, figuring out just how much she was willing to sacrifice for her happy ending.
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
When fifteen-year-old Sam Foster finds out that his mother is going to get remarried, his first reaction is shock. His next reaction is thinking that with the help of his time machine, he might be able to go back and prevent his parents from getting divorced in the first place. When Sam recruits Meg Clayton, his friend from 1850, he finds her missing her extended family and friends in Boston. Meg is quick to agree to Sam's request for help, not telling him how much she wishes she could fix something in her own life . and that she has her own plans for change. In this fourth book in the Partners in Time series, Sam and Meg attempt to manipulate his family history . but it soon becomes apparent that repairing a fractured relationship is extremely complicated. Each time they make a change, it results in a present world that is nothing like Sam ever dreamed-or desired. Will they ever be successful in fixing the past and mending the present? Or will Sam never be able to return home again?
Based on her award-winning blog, The Feminist Spectator, Jill Dolan presents a lively feminist perspective in reviews and essays on a variety of theatre productions, films and television series-from The Social Network and Homeland to Split Britches' Lost Lounge. Demonstrating the importance of critiquing mainstream culture through a feminist lens, Dolan also offers invaluable advice on how to develop feminist critical thinking and writing skills. This is an essential read for budding critics and any avid spectator of the stage and screen.
This fully updated and expanded edition of Saving Lives highlights the essential roles nurses play in contemporary health care and how this role is marginalized by contemporary culture. Through engaging prose and examples drawn from television, advertising, and news coverage, the authors detail the media's role in reinforcing stereotypes that fuel the nursing shortage and devalue a highly educated sector of the contemporary workforce. Perhaps most important, the authors provide a wealth of ideas to help reinvigorate the nursing field and correct this imbalance.
This book explores how language is used to create characters in fictional television series. To do so, it draws on multiple case studies from the United States and Australia. Brought together in this book for the first time, these case studies constitute more than the sum of their parts. They highlight different aspects of televisual characterisation and showcase the use of different data, methods, and approaches in its analysis. Uniquely, the book takes a mixed-method approach and will thus not only appeal to corpus linguists but also researchers in sociolinguistics, stylistics, and pragmatics. All corpus linguistic techniques are clearly introduced and explained, and the book is thus accessible to both experienced researchers as well as novice researchers and students. It will be essential reading in linguistics, literature, stylistics, and media/television studies.