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The End of the Chinese ‘Middle Ages’
Om poesi og anden kinesisk litteratur fra midten af Tang-dynastiet (618-906)
Encyclopedia of the Essay
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
The Logical Deduction of Chinese Traditional Political Philosophy
This book presents a panoramic and extensive exploration of Chinese political philosophy, examining key political problems of the past, and the thinkers who addressed them. As the reader will discover, China’s traditional political philosophy is one with distinctive national characteristics and ideals. Therefore, the book helps to clarify the evolution of Chinese political thought, while also investigating fundamental political issues throughout the country’s history. The book offers a unique resource for researchers and graduate students in the fields of political science, philosophy, and history, as well as ordinary readers who are interested in China’s traditional and political culture.
Man and Nature
None
Admonitions on Governing the People
This is an English translation of one of Korea's most celebrated historical works, a premodern classic so well known to Koreans that it has inspired contemporary literature and television. This translation opens a new window on early 19th-century Korea.
A Guide to Chinese Literature
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
The Road to East Slope
Su Shi (1037-1101) is the greatest poet of the Song Dynasty, a man whose writings and image defined some of the enduring central themes of the Chinese cultural tradition. Su Shi was not only the best poet of his time, he was also a government official, a major prose stylist, a noted calligrapher, an avid herbalist, a dabbler in alchemy, and a broadly learned scholar. The author shows how this complex personality was embodied in Su Shi's work and traces the evolution of his poems from juvenilia to the poems written in exile in Huangzhou, where Su settled on a farm at East Slope.
The Many Faces of Ruan Dacheng
The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China is the first monograph in English on a controversial Ming dynasty literary figure. It examines and re-assesses the life and work of Ruan Dacheng (1587–1646), a poet, dramatist, and politician in the late Ming period. Ruan Dacheng was in his own time a highly regarded poet, but is best known as a dramatist, and his poetry is now largely unknown. He is most notorious as a ‘treacherous official’ of the Ming–Qing transition, and as a result his literary work—his plays as well as his poetry—has been neglected and undervalued. Hardie argues that Ruan’s literary work is of much greater significan...
The Wenzi
The Wenzi is a Chinese philosophical text that enjoyed considerable prestige in the centuries following its creation, over two-thousand years ago. When questions regarding its authenticity arose, the text was branded a forgery and consigned to near oblivion. The discovery of an age-old Wenzi manuscript, inked on strips of bamboo, refueled interest in the text. In this combined study of the bamboo manuscript and the received text, Van Els argues that they belong to two distinct text traditions as he studies the date, authorship, and philosophy of each tradition, as well as the reception history of the received text. This study sheds light on text production and reception in Chinese history, with its changing views on authorship, originality, authenticity, and forgery, both past and present.
