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Over 400 illustrations in this superb pictorial archive trace the evolution of clothing styles, armor, and weapons during the medieval period in Central Europe. Unsurpassed in its comprehensiveness and variety, the volume draws upon a wealth of authentic primary sources, including written accounts, contemporary paintings and sculpture, and the remains of textiles and other relics. A profusion of apparel and weaponry are depicted, ranging from the simple tunics and robes of peasants, blacksmiths, gardeners, shoemakers, fishermen, and other common laborers to the fur-lined cloaks and brocaded garments of the aristocracy. Tools and utensils used by peasants as well as the battle equipment and armor of warriors are also pictured and described, with special emphasis on how these weapons were handled, carried, and used in combat. Accompanied by a scrupulously researched and well-documented text, these royalty-free illustrations not only offer general readers an intriguing and authentic insight into a past age but also provide artists, historians, students of weaponry, and theater and film professionals with a highly accurate source of reference material.
The followers of the martyred Bohemian priest Jan Hus (1371-1415) formed one of the greatest challenges to the medieval Latin Church. Branded as heretics, outlawed, then forced to fight for their faith as well as their lives, the Hussites occupy one of the most colorful and challenging chapters of European religious history. The essays reprinted in this book (along with one here first published in English and additional notes) explore the essence of the early Hussite movement by focusing on the nature and development of heresy both as accusation and identity. Heresy and Hussites in Late Medieval Europe first examines the definition of heresy, and its comparative nature across Europe. It inve...
Eveline, a Bohemian peasant girl, had already suffered great loss in her short life. When their underground church of believers is discovered, she is forced to flee with her family and new husband. If she had known then that she would soon lose all and be left alone on the streets of Vienna with only her unborn baby, it may have been more than she could have borne. Thankfully, God does not allow his children to be tested beyond their endurance. He will bless and use her in ways she could never have foreseen. Through hostile new in-laws, prickly co-workers, religious war, and a wayward child, she continues to overcome. Framed in the first quarter of the 15th century, Eveline's story is entwin...
Soupisový katalog 435 malovaných závěsných portrétů ze sbírky oddělení starších českých dějin Národního muzea je v pořadí třetí publikací, kterou se uzavírá kompletní vědecký soupis všech malovaných podobizen uložených v tomto oddělení. Navazuje na katalog obsahující soupis 377 miniaturních portrétů (Lubomír Sršeň – Olga Trmalová, Malované miniaturní portréty. Sbírka oddělení starších českých dějin Národního muzea. Praha /Národní muzeum/ 2005) a na katalog 230 drobných portrétů (Lubomír Sršeň, Malované drobné portréty. Sbírka oddělení starších českých dějin Národního muzea. Praha /Národní muzeum – Lika klub/ 2013). Pro úplnost je zde jako apendix připojen stručný seznam 19 miniaturních a drobných portrétů nově zjištěných či získaných po vydání obou předchozích soupisových katalogů. Vydalo Národní muzeum ve spolupráci s nakladatelstvím Lika klub a Maticí českou.
Includes entries for maps and atlases.
This is the first comprehensive study of Byzantine influence on the art and iconography of East Central Europe and also the first account of the disciplinary development of Byzantine Studies in the Czech and Slovak Republics.