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Ennion: Master of Roman Glass
Among glass craftsman active in the 1st century A.D., the most famous and gifted was Ennion, who hailed from the coastal city of Sidon in modern Lebanon. Ennion’s glass stood out for its quality and popularity. His products are distinguished by the fine detail and precision of their relief decoration, which imitates designs found on contemporaneous silverware. This compact, but thorough volume examines the most innovative and elegant known examples of Roman mold-blown glass, providing a uniquely comprehensive, up-to-date study of these exceptional works. Included are some twenty-six remarkably preserved examples of drinking cups, bowls, and jugs signed by Ennion himself, as well as fifteen additional vessels that were clearly influenced by him. The informative texts and illustrations effectively convey the lasting aesthetic appeal of Ennion’s vessels, and offer an accessible introduction to an ancient art form that reached its apogee in the early decades of the Roman Empire.
Arms and Armour of the Imperial Roman Soldier
A survey of the various forms of armour worn by the Roman soldier from 112 BC to 192 AD, featuring a wealth of illustrations and plates. From the Latin warriors on the Palatine Hill in the age of Romulus, to the last defenders of Constantinople in 1453 AD, the weaponry of the Roman Army was constantly evolving. Through glory and defeat, the Roman warrior adapted to the changing face of warfare. Due to the immense size of the Roman Empire, which reached from the British Isles to the Arabian Gulf, the equipment of the Roman soldier varied greatly from region to region. Through the use of materials such as leather, linen and felt, the army was able to adjust its equipment to these varied climat...
The Roman Cavalry
The cavalry was a vital part of the army of Rome and it played a significant role in the expansion and success of the Roman Empire. Karen R. Dixon and Pat Southern describe the origins of the mounted units of the Roman army and trace their development from temporary allied troops to the regular alae and cohorts. They have drawn together evidence from a wide variety of sources: archaeological, epigraphic and literary, as well as comparing ancient testimony with more recent experience of the use of cavalry. The book covers the subject from the perspective of both the men and the horses. How were the horses selected and disposed of; how were they trained, stabled and fed? How were the men recru...
Inscriptiones Judaicae Orientis: Eastern Europe
"This book collects all known Jewish inscriptions from the Graeco-Roman period (up to c.700 CE), in all languages (Greek, Latin, Aramaic, Hebrew) in Eastern Europe. It provides the texts of the inscriptions with English translations together with full bibliographies, discussions and indexes. The previous collection was published in 1936-50 and has been superseded by the discovery of more inscriptions. Over half the inscriptions included in this new collection were not in the former. Volume 1 covers the regions Pannonia, Dalmatia, Moesia, Thrace, Macedonia, Achaea, Crete, and the North Coast of the Black Sea. It includes appendices on inscriptions considered medieval and inscriptions not considered Jewish as well as a bibliography, a concordance with the former collection, indexes and maps."
Greek Art
Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.
La vista y la visión
La muestra está dedicada a analizar el tema del ojo en la historia del arte occidental, desde la prehistoria hasta nuestros días y presenta más de 200 obras (objetos de culto, orfebrería, pintura, escultura, videoinstalaciones, etc.), procedentes de diversos museos de todo el mundo. En ellas se manifiesta el ojo como órgano de la visión, que constituye el receptáculo de imágenes del mundo exterior, pero también como sentido interior, "ojo del alma", capaz de descodificar y traducir visiones e imágenes procedentes de la memoria o la imaginación.
Roman Mold-blown Glass
"The Toledo Museum of Art has one of the largest, most extensive and most varied collections of Roman glass vessels and objects from the eastern Mediterranean currently housed in any museum"--Foreword, p. 9.
