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Spain in the twentieth century gave birth to an array of astounding artistic and literary talent, including the passionately iconoclastic writer Federico Garcia Lorca. But his works were ill received in the homophobic atmosphere of institutionalized Spanish criticism. Because of this atmosphere, even today's critics have effectively marginalized and disavowed intimations of homo-affectivity and homoeroticism in the great Spanish works. This book first appeared in Spain in 1991 as counter-discourse against those prevailing ideological structures. Before its appearance, no significant work had focused on the position of Spanish culture towards homosexuality or on how homosexuality could affect...
This collection of essays looks at the most recent work of Juan Goytisolo from a variety of perspectives and critical stances. The contributors, all specialists in the work of the Spanish author, employ theories of intertextuality, postmodernist irony, queer ethics and even the esoteric science of Hurufism to uncover the complexities of Goytisolo's creative practice, in particular his radical blurring of the generic boundaries between fiction, autobiography and literary criticism. Such challenging of genre conventions is seen as both integral to the author's own questioning of his identity as an expression of his radical dissidence and essential to the response his work evokes in the reader...
Through an explanation of forty figures in European culture, ^The Seduction of the Mediterranean argues that the Mediterranean, classical and contemporary, was the central theme in homoerotic writing and art from the 1750s to the 1950s. Episodes of exile, murder, drug-taking, wild homosexual orgies and court cases are woven into an original study of a significant theme in European culture. The myth of a homoerotic Mediterranean made a major contribution to general attitudes towards Antiquity, the Renaissance and modern Italy and Greece.
A study of the work of the Spanish poet Luis Cernuda (1902-1963). The works of the twentieth-century Spanish poet Luis Cernuda (1902-1963) are characterised by their fragmentary and disunified nature, with a wide range of complexities and contradictions. Concentrating on the well-known La realidad y el deseo, Dr McKinlay considers the poems from the perspective of the widespread loss of faith in God, exploring the tension between Cernuda's perception of chaos and desire for order, which co-exist in dialectical opposition. NEIL C. MCKINLAY is college lecturer in Spanish at New College, Oxford.
Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936. This book shows just why his fame has endured, through an exploration of his most popular works: Romancero Gitano, Poeta en Nueva York and the trilogy of tragic plays - Blood Wedding, Yerma and The House of Bernarda Alba.Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936: poet, playwright, political martyr, gay icon, champion of women, defender of the oppressed. This book guides readers through the key themes and concerns in Lorca's work. It demonstrates how Lorca applied his poetic sensibilities and lyrical craft to what were, in essence, tang...
Physical desire and metaphysical love in the theatre of Federico García Lorca. A dialectical tension between physical desire and metaphysical love lies at the heart of the theatre works of Federico García Lorca, and the deployment of queer theory's critique of gender and identity is surprisingly effective inthis discussion of love versus desire. Seldom is enough attention paid to the poet's early works, and so this book offers a timely review of the 'religious tragedy' Cristo, as well as Mariana Pineda, uncoveringin these early offerings an explicit proposal of the supremacy of love over desire. A meditation on the fragmentary and challenging El público yields a vivid panorama of identity in crisis, and a paradigmatic Lorcan sacrifice of self for love. The ostensibly more conventional tragedies of Amor de Don Perlimplín con Belisa en su jardín and Yerma are also reassessed in terms of self-sacrifice and self-love. The study concludes with an argument for a practical re-reading of La casa de Bernarda Alba, which emphasises how the play might be saved from po-faced realism with music, humour and drag performance. PAUL McDERMID lectures in Spanish at Queen's University Belfast.
A reflection on Federico García Lorca's life, his haunting death, and the fame that reinvigorated the marvelous in the modern world "A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca's execution and his unknown resting place, there is not a single book on Lorca like this one."--Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898-1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca's execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet's afterlives. He is intimately tied to both an individual and a collective identity, as the people's poet, a gay icon, and fabled member of a dead poets' society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet's biography.
Lorca, icon and polymath in all his manifestations.
The two-volume Proceedings set CCIS 1675 and 1676 constitutes the refereed proceedings of the Second International Conference, ARTIIS 2022, held in Santiago de Compostela, Spain, during September 12–15, 2022. The 72 papers included in these proceedings were carefully reviewed and selected from 191 submissions. These papers were categorized into 2 technical tracks, i.e., Sustainability and Ethics, Security, and Privacy.