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Manuel Gamio
None
Strange Pilgrimages
This anthology "decolonizes" the voices of Latin Americans who travel abroad and engage in cultural critiques of their homelands in counterpoint to foreigners' better known accounts of Latin America. The 17 contributions by North and South American academics examine--including entertaining first person accounts--the themes of constructing nations/a national identity post- independence, touring modernity, taking sides, and the art of living and working abroad. References include suggested films (e.g. Carmen Miranda: Bananas is My Business, 1994) as well as readings. Lacks an index. Annotation copyrighted by Book News Inc., Portland, OR
Buried Cities, Forgotten Gods
"Niven was planning a book about his experiences, but never completed it owing to ill health. The result of twenty years' research, Buried Cities, Forgotten Gods offers a well-illustrated and vivid first-hand account through Wicks and Harrison's selection of photographs and stories from Niven's own extensive writings and those of people with whom he worked."--BOOK JACKET.
The Modern Moves West
Exploring the transformation of California into a center for contemporary art through the twentieth century, this book dramatically illustrates the paths California artists took toward a more diverse and inclusive culture.
The Reinvention of Mexico
The Reinvention of Mexico explores the ideological conflict between neoliberalism and nationalism that has been at the core of economic and political development in Latin America since the mid-1980s. Grappling with a wide variety of issues generated by the dismantling of the statist economy and subsequent climate of market reforms, this timely volume shows that Mexico's transformation in the 1990s has broader implications for the study of nationalism. A welcome contribution to the literature on Latin American history, The Reinvention of Mexico offers important insight into national responses to globalization and the most appropriate vision of political economy in Latin America.
Mexico at the World's Fairs
This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's ...
Humanities
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon became the editor in 2000. The subject categories for Volume 58 are as follows: Electronic Resources for the Humanities Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Philosophy: Latin American Thought Music
Crónicas miopes de la ciudad
Entrañable mirada ésta de la gran ciudad de México, descrita con destreza y oficio por Miriam Mabel Martínez a quien ya no le sorprende la forma en la que este monstruo de concreto ha crecido, sino la cantidad y diversidad de ópticas bajo las que puede caminarse. Con el olfato periodístico de una mujer que lo mismo puede describirnos la calle en donde se filmó Pepe El Toro, que defender los argumentos de grandes pensadores franceses contemporáneos, Miriam nos recuerda que, para bien o para mal, existen mil y un formas de vivir y escribir sobre la ciudad y sus multifacéticos personajes.
Bibliographie Internationale D'anthropologie Sociale Et Culturelle 1994
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