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Crónicas miopes de la ciudad
Entrañable mirada ésta de la gran ciudad de México, descrita con destreza y oficio por Miriam Mabel Martínez a quien ya no le sorprende la forma en la que este monstruo de concreto ha crecido, sino la cantidad y diversidad de ópticas bajo las que puede caminarse. Con el olfato periodístico de una mujer que lo mismo puede describirnos la calle en donde se filmó Pepe El Toro, que defender los argumentos de grandes pensadores franceses contemporáneos, Miriam nos recuerda que, para bien o para mal, existen mil y un formas de vivir y escribir sobre la ciudad y sus multifacéticos personajes.
Apuntes para enfrentar el destino
Incluye audio del autor. ¿Se puede meter en un mismo saco la vida de una mujer de campo, alejada de todo lo que tenga que ver con el arte contemporáneo, las amarguras de un crítico de la plástica moderna o la lectura de un filósofo sobre las novedades de la tecnología cibernética? Pues aunque se antoje difícil semejante combinación, Miriam Martínez lo logra de manera exitosa y atractiva en estos Apuntes. Su texto, que es una reflexión profunda y bien documentada sobre lo que consideramos “modernidad, arte contemporáneo, globalización del arte, cultura” resulta necesario para comprender que eso que conocemos como “la realidad” no es más que una aproximación a la misma, siempre pintada por el color de nuestras historias personales.
The Day of the Dead
A tribute to Mexico’s most important holiday, this extraordinary and definitive volume documents the immense creativity displayed by this popular annual celebration. While there have been other books about the Day of the Dead, most are long out of print and aridly academic. This book features both exceptional “traditional” Indigenous material—such as vibrant folk art and crafts, flamboyant costumes and masks, special food and drink—but also a much more funky, modern approach that blends lively music and dance, colorful parades, cutting-edge contemporary street art, and a festive atmosphere that engages all of the senses with handmade altars, flowers, painted skulls, toys, paintings...
Stan Lee
Be inspired by the amazing life of Stan Lee, the comic book genius who created Spider-Man, The Hulk, and Iron Man! Little Stan grew up in New York City. As a child, he loved reading books, poems and newspaper strips. And when he didn't have his head in a book, he was writing stories of his own. After he graduated, Stan got his big break in the form of a job as an assistant at a small comic book publisher called Timely Comics. He started by helping the editors with their work, but before long, he was helping to write the comics. He contributed to a Captain America story but soon started to create his very own characters. From the Fantastic Four and Spider-Man to The Hulk, Stan's superheroes w...
Comics as Philosophy
Through the combination of text and images, comic books offer a unique opportunity to explore deep questions about aesthetics, ethics, and epistemology in nontraditional ways. The essays in this collection focus on a wide variety of genres, from mainstream superhero comics, to graphic novels of social realism, to European adventure classics. Included among the contributions are essays on existentialism in Daniel Clowes's graphic novel "Ghost World," ecocriticism in Paul Chadwick's long-running "Concrete" series, and political philosophies in Herge's perennially popular "The Adventures of Tintin." Modern political concerns inform Terry Kading's discussion of how superhero comics have responde...
A Skeptic Among Scholars
When August Frugé joined the University of California Press in 1944, it was part of the University's printing department, publishing a modest number of books a year, mainly monographs by UC faculty members. When he retired as director 32 years later, the Press had been transformed into one of the largest, most distinguished university presses in the country, publishing more than 150 books annually in fields ranging from ancient history to contemporary film criticism, by notable authors from all over the world. August Frugé's memoir provides an exciting intellectual and topical story of the building of this great press. Along the way, it recalls battles for independence from the University administration, the Press's distinctive early style of book design, and many of the authors and staff who helped shape the Press in its formative years.
Jimmy
High school can be a difficult time for a teenager, especially toward the end where one has to start making the sudden transition into adulthood. For Jimmy Hawthorn it is even worse. Not only does he need to successfully make that transition, he has to do it while hiding the fact that he is the one responsible for kidnapping two fellow high school students, both of whom are hanging from their wrists in a secret underground fallout shelter he discovered behind an abandoned house on the outskirts of town.
Age of discrepancies
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among m...
Chola Salvation
In the title story of this collection, Isabela is minding her family’s restaurant, drinking her dad’s beer, when Frida Kahlo and the Virgen de Guadalupe walk in. Even though they’re dressed like cholas, the girl immediately recognizes Frida’s uni-brow and La Virgen’s crown. They want to give her advice about the quinceanera her parents are forcing on her. In fact, their lecture (don’t get pregnant, go to school, be proud of your indigenous roots) helps Isabela to escape her parents’ physical and sexual abuse. But can she really run away from the self-hatred they’ve created? These inter-related stories, mostly set in East Los Angeles, uncover the lives of a conflicted Mexican-...
Peter Salter
Peter Salter is an architect and teacher (at the Architectural Association, the University of East London, the University of Bath, and the Welsh School of Architecture) whose work has influenced several generations of students. Walmer Yard, in Notting Hill, is his first residential project in the UK and one of only a small number of buildings he has completed worldwide. Although modest in scale, the project is extraordinary in many ways. On an irregularly shaped site, Salter's design brings four houses into a complex relationship with each other, half-formal, half-familiar, interdependent yet solitary. Similarly, the relations among the core team who developed the design are more nuanced than in most architectural projects, since they all met at the Architectural Association in Peter Salter's unit, where Crispin Kelly (the client) and Fenella Collingridge (Peter's current collaborator) were student contemporaries. This book documents the project with Peter Salter's original pen-and-ink drawings and H�l�ne Binet's extraordinary photographs.
