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Look! It's a Woman Writer!
Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Éilís Ní Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ní Ghlinn, Catherine Dunne, Éilís Ní Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Fréine, Máiríde Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.
Snobs, Dogs and Scobies
Ruán, Emma, and Colm are from different worlds despite living in the same city: their schools, houses, and groups of friends mark them as snobs or scobies in each other's eyes. When a terrible accident devastates Ruan's family, he must find a way of coping, with help from Emma. Meanwhile Colm goes on the run from a crime he did not commit. As the three teenagers attempt to deal with their own family crises and study for their final school exams, their lives become intertwined. A keenly perceptive account of Dublin life, Snobs, Dogs and Scobies is about social stereotypes, class differences, and teenage friendships. First published in Irish as Hurlamaboc, the book won a Bisto Merit Award in 2007, a Duais Oireachtais in 2006, and was shortlisted for Irish Book of the Year 2006.
Twelve Thousand Days
Éilís Ní Dhuibhne's candid and moving memoir tells the story of her thirty-year relationship with the love of her life, internationally renowned folklorist Bo Almvqvist, capturing brilliantly the compromises and adjustments and phases of their relationship.
Blood and Water
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Midwife to the Fairies
Eilis Ni Dhuibhne is generally considered to be one of Ireland's finest practitioners of the short story. This book brings together nine of her best stories from her first two collections, "Blood and Water" and "Eating Women is Not Recommended," as well as three brand-new stories. Ranging from the ultra realistic "Some Hours in the Life of a Witch," to the surreal fantasy world of "Fulfillment" and "The Wife of Bath," the stories describe ordinary and not so ordinary life, and the lives of women in particular, in the feminist and post-feminist eras in Ireland.
Little Red and Other Stories
In these eleven stories, Éilís Ní Dhuibhne draws us into the lives of characters struggling to find equilibrium. Visited by change and crisis, they are forced to confront the stories that define their sense of themselves. Beautifully written and sharply observed, this daring collection is a deft exploration of the complexities of human desire.
Fox, Swallow, Scarecrow
"Anna Kelly Sweeney is a writer of popular fiction intent on worldly success. Leo is an idealist who lives in rural County Kerry and devotes himself to poetry, culture and innumerable worthy causes. When Anna falls in love with the handsome and enigmatic Vincy, and Leo with troubled publicist Kate, the consequences of their glimpsed happiness reverberate beyond their own insulated worlds. Inspired by Tolstoy's Anna Karenina, this panoramic and compulsively readable new novel is an intelligent, witty and fiercely humane insight into modern Ireland."--Book jacket.
Twentieth-Century Fiction by Irish Women
During much of the twentieth century, Irish women's position was on the boundaries of national life. Using Julia Kristeva's theories of nationhood, often particularly relevant to Ireland, this study demonstrates that their marginalization was to women's, and indeed the nation's, advantage as Irish women writers used their voice to subvert received pieties both about women and about the Irish nation. Kristevan theories of the other, the foreigner, the semiotic, the mother, and the sacred are explored in authors as diverse as Elizabeth Bowen, Kate O'Brien, Edna O'Brien, Mary Dorcey, Jennifer Johnston, and Eilis Ni Dhuibhne, as well as authors from Northern Ireland like Deirdre Madden, Polly Devlin, and Mary Morrissy. These writers, whose voices have frequently been sidelined or misunderstood because they write against the grain of their country's cultural heritage, finally receive their due in this important contribution to Irish and gender studies.
The Bray House
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Signatories
Eight monologues by today's leading Irish dramatists, remembering the men and women involved in the signing of the Proclamation of the Irish Republic. This important document was read to kick off the Easter Rebellion of 1916, which eventually lead to an independent Ireland. This groundbreaking theatrical and literary commemoration portrays the emotional struggle of Ireland's turbulent past.
