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Poems by Éloi De Grandmont.
Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.
The Countess hides behind caricature to better obtain her ends. But all her moods give her a roundness that sometimes shock, amuse, or at times irritate.
This volume brings together all the poems Daniel Sloate has written to date. A poet and translator, Daniel Sloate was a Professor in Linguistics at Universit de Montreal and Director of the Translation Program at McGill University.
For use with Oxford companion to Canadian history and literature by Norah Story.
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This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Provides information on the history and present practice of theater in the world.
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