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Trans.Can.Lit
The study of Canadian literature—CanLit—has undergone dramatic changes since it became an area of specialization in the 1960s and ’70s. As new global forces in the 1990s undermined its nation-based critical assumptions, its theoretical focus and research methods lost their immediacy. The contributors to Trans.Can.Lit address cultural policy, citizenship, white civility, and the celebrated status of diasporic writers, unabashedly recognizing the imperative to transfigure the disciplinary and institutional frameworks within which Canadian literature is produced, disseminated, studied, taught, and imagined.
The Post-colonial Studies Reader
Boasting new extracts from major works in the field, as well as an impressive list of contributors, this second edition of a bestselling Reader is an invaluable introduction to the most seminal texts in post-colonial theory and criticism.
Postcolonialism
This 5 volume set documents the scope of postcolonialism as a multidisciplinary project re-examining the history and legacy of colonialism from the perspectives of the colonized as well as the colonizers.
Fierce Departures
The selections in "Fierce Departures," drawn from Dionne Brand s work since 1997, delineate with searing eloquence how history marks and dislocates peoples of the African diaspora, how nations, concretely and conceptually, fail to create safe haven, and how human desire persists nevertheless. Through a widening canvas, Brand unfolds the (im)possibilities of belonging for those whom history has dispossessed. Yet she also shows how Canada, and in particular Toronto, remade by those who alight on it, is a place of contingency. Known for her linguistic intensity and lyric brilliance, Brand consoles through the beauty of her work and disturbs with its uncompromising demand for ethical witness. In...
Unhomely States
Unhomely States is the first collection of foundational essays of Canadian postcolonial theory. The essays span the period from 1965 to the present day and approach broad issues of Canadian culture and society. They represent the impassioned conflicts, dissonances, and intersections among postcolonial theorists in English Canada. Theories of Canadian postcolonialism are various and often contending. The questions proliferate: Is Canada postcolonial? Who in Canada is postcolonial? Are some Canadians more postcolonial than others? Together, the essays in this collection demonstrate both the historical development of this vigorous debate and its most prominent current perspectives. The antholog...
Unsettled Legitimacy
Under what conditions do individuals and communities accept globalized decision making as legitimate? And what political practices do individuals and collectivities under globalization use to exercise autonomy? To answer these questions, the contributors explore the disruptions and reconfigurations of political authority that accompany globalization. Arguing that we live in an era in which political legitimacy at multiple scales of authority is under strain, they show that globalization has also created demands for regulation, security, and the protection of rights and expressions of individual and collective autonomy.
A Talent(ed) Digger
Anna Rutherford has been the most dynamic ambassador of Australian culture in Europe. More than any other single person, she has been instrumental in spreading interest in Commonwealth and post-colonial studies. Wherever she has been in the world, she has brought people together in friendship and intellectual endeavour. This volume ranges widely over the areas Anna has promoted as teacher, editor and publisher.
Postcolonial Resistance
Despite being central to the project of postcolonialism, the concept of resistance has received only limited theoretical examination. Writers such as Frantz Fanon, Edward Said, and Homi K. Bhabha have explored instances of revolt, opposition, or subversion, but there has been insufficient critical analysis of the concept of resistance, particularly as it relates to liberation or social and cultural transformation. In Postcolonial Resistance, David Jefferess looks to redress this critical imbalance. Jefferess argues that interpreting resistance, as these critics have done, as either acts of opposition or practices of subversion is insufficient. He discerns in the existing critical literature ...
Darkness Subverted
Der dem klassischen Schauerroman zugrunde liegende Diskurs von »Selbst« und »Anderem« wurde schnell auf die Gegebenheiten der kolonialen Situation angewandt und auf das Verhältnis zwischen Kolonialherr und kolonialem Subjekt projiziert. Zeitgenössische schwarzaustralische Künstler nehmen sich dieses kolonialen Schauerdiskurses an, reißen ihn durch ihre scharfe Perspektive in Stücke und transformieren ihn schließlich zu einem Diskurs des »Aboriginal Gothic«.Die vorliegende Studie erarbeitet die theoretischen Grundlagen des »Aboriginal Gothic« und benutzt den so konkretisierten Begriff, um Romane von Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson und Alexis Wright sowie Filme von Beck Cole und Tracey Moffatt zu analysieren. Im Zentrum der Untersuchung steht dabei die Frage, inwieweit der traditionell europäische Schauerdiskurs mit Elementen indigener australischer Kultur durch- bzw. zersetzt ist, um die aktuelle Situation australischer Aborigines darzustellen und eine wiedererlangte kulturelle Identität zu beschreiben.
