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The Puranas are infallible source of information of Indian history of religion, philosophy, culture and civilisation, polity of society, arts and crafts, architecture and inconography besides royal dynasties and period of their rule. It was long felt that a comprehensive Index of the Puranas was a desideratum. We have an Index to Vedic literature by Macdonell and Keith; we have also one to the Mahabharata by Sorensen; then why not a similar Index to all the eighteen major and an equal number of the minor Puranas which constitute an important branch of Indian literature?
It is multi-volume series work. the main pupose of this work is literary criticism, evaluating a great tradition of literature and to present comprehensive study of sanskrit literature. So far 6 volumes have been published. Each volume presents literature itself in successive periods of its development. Volume V of this study displays some of the riches and diversity of Indian culture in the ninth and tenth centuries. We have a novel in the bold or beautiful style by the fanciful Dhanapala and a more realistic, sometimes grim, one by Siddha. Dhanavalu writing in Apabhramsa is alternately fantastic in action and realistic in emotion and motives. The campus are evidently bold and varied exploring language, Silanka inserting even a complete tragic play. Upatissa seeks a grand style in Pali prose for his `biography` of an allegorical heroine. This Buddhist legend may bring us lastly to the various Buddhist and Jaina versions of the story of Rama, which take us to Tibet and Khotan, or Cambodia and Thailand, as well as India before `Valmiki`, and are more marvellous than his version followed by the Old Javanese kakawin.
For now more than half a century, scholars of the history of Western art have become familiar with the idea that art is embedded in a social and cultural context which imbues it with meaning and as such may be viewed as a source which generates knowledge concerning this context; this again may result in a better understanding of the artefact itself. This synthetic method of investigation, known under the name of ‘iconology,’ has proved to be of great value in the research of the history of culture. The present book is an essay in which the ‘classical age’ of India is studied by exploring textual as well as archaeological sources that relate to the kingdom of the Vākāṭakas, the so...
This book presents the latest and updated information about the Ajanta caves, their histories, and painted themes. For the first time, a book accommodates-within the space of a single volume-many dimensions and components of the caves. It includes the latest research by the author on the gradual development of the caves. historical framework formulated by Walter M. Spink. identifications of the narrative paintings by Dieter Schlingloff. identifications of the devotional and ornamental paintings by Monika Zin. summaries of nearly all the narrative paintings (84 stories). corpus of photo documentation on the paintings, sculptures, and architecture. attempt on long exposure photography in poorly lit conditions. The language is so crafted as to help the students, travellers, and general readers grasp the beauty and complexities of Ajanta and the times. At the same time the content is so packed, and the issues discussed in such a manner, as to keep the expert readers engaged.
The 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together. One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.
The present book offers an exhaustive treatment of the political, social, economical and cultural history of Malwa from the earliest times to 1305 A.D. Herein for the very first time the author has arrenged systematically and discussed and relevant historical material in the form of archaeological antiquities, inscriptions, coins and literature.
EduGorilla History of India & Indian National Movement Study Notes are a comprehensive guide for aspirants preparing for UPSC Civil Services Prelims Paper-I. These UPSC Preliminary Notes cover the entire syllabus, to provide you with a well-rounded understanding of the topics covered in History of India & Indian National Movement Why EduGorilla’s UPSC Civil Services Study Notes for History of India & Indian National Movement? ■ EduGorilla UPSC Study Notes provide concise theory and practice questions for better retainment of facts. ■ History of India & Indian National Movement Notes for Civil Services are curated by a team of experts at EduGorilla, composed of experienced educators and industry professionals. ■ Our Prep Experts have broken down complex topics in History of India & Indian National Movement UPSC syllabus into simple easy-to-understand chapters. ■ These topics are further enriched with suitable examples, graphs, and Illustrations
Not all history is recorded in school textbooks I tried to make a brief book including all the fascinating,forgotten, wonderful and proud moments of Indian history that would otherwise be lost forever. This book lights on the powerful empires, powerful kings, the powerful kingdoms and powerful zamindari.