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lhan Berk was born in 1918 in the Aegean city of Manisa. He once said "If a poem is written and goes out into the world, something in the world has changed." Berk's poems have been changing the world of Turkish poetry for the best part of seven decades. His innovative poetics have marked him out as one of the vital modernizing forces in contemporary Turkish literature and earned him a reputation as a literary enfant terrible, even an "extremist." Yet others deride his linguistic experimentalism as the work of a "French renegade." Few poets in Turkey today would dispute the significance of his work. Even in the year of his death, at the tender age of 90, more productive than ever, Berk remained a force to be reckoned with. [...] Berk's writing was a process of steady, careful refinement and, though his language never stopped changing, the vision remained remarkably clear. "The important thing," Berk tells us, "is to live the life of poetry, the writing always comes later.""
In the mid-1950s a small but energetic group of young Turkish poets exploded into creative life. Their vivid, cosmopolitan experimentalism sent shock waves through the literary establishment. They became known as the Ikinci Yeni (The Second New). Inspired by surrealism and the contemporary European avant-garde, their influence was widespread and lasting-Turkish poetry would never be the same again. In this unique anthology George Messo introduces broad selections from five of the leading Ikinci Yeni poets: Ece Ayhan, Ilhan Berk, Edip Cansever, Cemal Sureya and Turgut Uyar."
The volume contains a selection of papers presented at an international conference on "Intercultural Aspects in and around Turkic Literatures" in Nicosia in 2003. The contributions address various aspects of and views on interculturalism, cosmopolitanism, stereotypes and crosscultural literary trends in Turkic literatures and literatures in contact with Turkic culture and literatures, namely Greek, Russian, and Italian. The contributors, who come from nine different countries, examine topics from the analysis of the image of the "other" in Turkish or "neighbouring" literary texts to the investigation of literary techniques and trends as a device of interculturalism and cosmopolitanism and cover a period from the 18th to the 20th century. Also included are introductory chapters on the historical and political context of the contact areas discussed in the contributions.
Unparalleled in the English language, The Book of Things, Berk's uniquely compelling lyric trilogy, is an uncommon meditation on the inner life of common things. Mud, bras, slugs and doore - Berk sings them all in this twisting, labyrithine song of the strange and sensual, by turns playful and surprising, learned and hilarious, beautiful and unsettling in its quikiness. Berk's tireless journey into the unknown, The Book of Things is a testament to the poet's undying appetite for engagement and renewal, his perennial call to awakening.
An international study of cultural relationships with built environments.
Poetry. Translated from the Turkish by Onder Otcu and Murat Nemet-Nejat. Ilhan Berk stands at the apex of modern Turkish literature. Considered to be one of the great innovative poets of his generation, he has at times drawn on traditional Turkish poetry for his work yet remains firmly within the modernist camp. Born in 1918, Berk published his first book in 1935, establishing himself at the cutting edge of Turkish letters. He was and, as Onder Otcu notes in the introduction, still is considered to be "the bad boy of Turkish letters." The author of more than two dozen books and an acclaimed visual artist as well as a poet, he lives today in Bodrum on Turkey's Aegean coast.
The articles contained in this volume collectively provide a critical overview of Turkish literature from its earliest phases in the sixth century well into the Republican period, including pieces detailing the literature of the Ottoman as well as those dealing with Europeanization. In so doing, the author illustrates the evolution of Turkish culture as reflected in the literary experience. Exploring specific genres and themes, several articles detail the development of drama from Karagoz and Orta oyunu to contemporary Western theatre, the propaganda functions of poetry, and the important place of folk literature. In addition, the volume focuses on some of the leading figures of Turkish literature, ranging from Mevlana Celaleddin Rumi, Yunus Emre, and Süleyman the Magnificent, to Sait Faik and modern poets such as Nazim Hikmet, Orhan Veli Kanik, and Melih Cevdet Anday. Whether read as a whole or as individual articles, the book gives Western readers a broad and long overdue entry into the rich landscape of traditional and contemporary Turkish literature and culture. For scholars, it is an invaluable resource for courses on Turkish literature and culture.
As we enter the second decade of the twenty-first century, environmental concerns dominate the media headlines, from rampant poverty in the developing world to nuclear accidents in industrialized nations. How did human civilization arrive at its current predicaments, and what can we do to temper our habits of mind and mitigate society’s environmentally (and socially) destructive behaviors? The field of ecocriticism (also sometimes called “environmental criticism”) attempts to grapple with such issues. A branch of literary and cultural studies that essentially began in North America in the 1970s, ecocriticism is currently one of the most quickly developing areas of environmental researc...
The earliest turkish verses, dating from the sixth century A.D., were love lyrics. Since then, love has dominated the Turks’ poetic modes and moods—pre-Islamic, Ottoman, classical, folk, modern. This collection covers love lyrics from all periods of Turkish poetry. It is the first anthology of its kind in English. The translations, faithful to the originals, possess a special freshness in style and sensibility. Here are lyrics from pre-Islamic Central Asia, passages from epics, mystical ecstasies of such eminent thirteenth-century figures as Rumi and Yunus Emre, classical poems of the Ottoman Empire (including Süleyman the Magnificent and women court poets), lilting folk poems, and the ...
In recent years, there has been growing interest in Turkey, stemming from the country’s developing role in regional and global politics, its expanding economic strength, and its identity as a predominantly Muslim country with secular political institutions and democratic processes. This Handbook provides a comprehensive and wide-ranging profile of modern Turkey. Bringing together original contributions from leading scholars with a wide range of backgrounds, this important reference work gives a unique in-depth survey of Turkish affairs, past and present. Thematically organised sections cover: Turkish history from the early Ottoman period to the present Turkish culture Politics and international relations Social issues Geography The Turkish economy and economics Presenting diverse and often competing views on all aspects of Turkish history, politics, society, culture, geography, and economics, this handbook will be an essential reference tool for students and scholars of Middle East studies, comparative politics, and culture and society.