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Dolce Vita
None
Cuban Studies 19
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is tahe preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.
Contestatory Cuban Short Story of the Revolution
José Alvarez, in Contestatory Cuban Short Story of the Revolution, presents a unique analysis of counter-cultural narratives written in Cuba. Because the short story, to a great extent, never ceases to be a marginal production, Alvarez approaches the Cuban short story with the rigor of contemporary cultural studies, which involves the theoretical imperative of examining cultural production as an ideological reading of the sociopolitical context in which it occurs and in which it is distributed, consumed, and interpreted. This book complements other books written about the works of Reinaldo Arenas, Jose Lezama Lima, Virgilio Pinera and others.
My Havana
For more than thirty years, musician Carlos Varela has been a guide to the heart, soul, and sound of Havana. My Havana is a lyrical exploration of Varela's life and work, and of the vibrant musical, literary, and cinematic culture of his generation.
To Defend the Revolution Is to Defend Culture
Grounded in painstaking research, To Defend the Revolution Is to Defend Culture revisits the circumstances which led to the arts being embraced at the heart of the Cuban Revolution. Introducing the main protagonists to the debate, this previously untold story follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and ’70s. The picture that emerges is of a struggle for dominance between Soviet-derived approaches and a uniquely Cuban response to the arts under socialism. The latter tendency, which eventually won out, was based on the principles of Marxist humanism. As such, this book foregrounds emancipatory understandings of culture. To Defend the Revolut...
Homosexuality and Invisibility in Revolutionary Cuba
Offers alternative insights into the complex relationship between politics and intelligentsia in revolutionary Cuba.
Handbook on Cuban History, Literature, and the Arts
First Published in 2016. If scholarship on Cuban studies after the 1959 revolution focused on the historical and cultural aspects of the construction of a socialist order, the post-1989 crisis of socialism in Central and Eastern Europe raised questions about the island’s state as a socialist model. The scholarly gaze gradually began to focus on possibilities for alternative transformations at various levels of social life rather than on the deepening of traditional twentieth-century state socialism. This volume explores the newly emergent themes and debates about Cuban society and history.
Minima Cuba
Explores the ideological and emotional trauma created after the withering of the socialist utopia in Cuba. Mínima Cuba analyzes the reconfiguration of aesthetics and power during the Cuban postrevolutionary transition (1989 to 2005, the conclusion of the Special Period). It explores the marginal cultural production on the island by the first generation of intellectuals born during the Revolution. The author studies the work of postrevolutionary poets and essayists Antonio José Ponte, Rolando Sánchez Mejías, and Iván de la Nuez, among others. In their writing we find the exhaustion of the allegorical and melancholic rhetoric of the Cuban Revolution, and the poetics of irony developed...
On Location in Cuba
The 1990s were a time of dramatic transformation for Cuba. With the collapse of its Cold War relationship with the Soviet Union, the island nation plummeted into an era of scarcity and uncertainty known as the Special Period, a time from which it emerged only slowly in the new century. On Location in Cuba views these pivotal decades through the lens of cinema. Ann Marie Stock conducted hundreds of interviews and conversations in Cuba to examine individual artists' lives and creative output--including film, video, and audiovisual art. She explores the impact of the Cold War's end, the economic crisis that ensued, and the decentralization of the state's political, economic, and cultural apparatus. Stock focuses on what she calls Street Filmmaking--the production of emerging audiovisual artists who work outside the state film industry--to examine the island's transformation and changing notions of Cuban identity. Employing entrepreneurial approaches to producing art and to negotiating the exigencies of globalization, this younger generation of filmmakers offers fresh perspectives on what it means to be Cuban in an increasingly complex and connected world.
