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The Visual Culture of al-Andalus in the Christian Kingdoms of Iberia
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
Shaping Identities in a Holy Land
In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin, the Latin Kingdom of Jerusalem was the site of vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches, or embellished others with murals and mosaics, a unique and highly original art was created. Focusing on the sculptural, mosaic, and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre, The Basilica of the Annunciation, and the Church of the Nativity), this book offers a broad perspective of Crusader art and architecture. Among...
Blood and Boundaries
Spain and Portugal's policies of exclusion and discrimination based on religious origins and genealogy were transferred to their colonies in Latin America. Schwartz examines the three minority of groups of moriscos, conversos, and mestizos. Muslim and Jewish converts and their descendants posed a special problem for colonial society: Their conversion to Christianity seemed to violate stable social categories and identities. This led to the creation of cleanliness of blood regulations that discriminated against converts and other parts of the population. These groups often found legal and practical means to challenge the efforts to exclude them, creating the dynamic societies of Latin America.
Representing the Crusades
How are the Crusades portrayed in popular culture today? Have the medieval images of chivalric and military heroes survived the eras of Orientalism and decolonization? The first of its kind, this comparative study examines representations of the Crusades in both European and Arab medieval texts and in 20th and 21st century transmedia recreations. It follows the cartography and illuminated manuscripts of the Middle Ages through modern, hybridized narratives in novels, film, comics and gaming. The shifting literary tastes, political agendas and cultural exchanges of audiences on both sides of the Mediterranean reflect their anxieties and ideals.
Polemical Encounters
This collection takes a new approach to understanding religious plurality in the Iberian Peninsula and its Mediterranean and northern European contexts. Focusing on polemics—works that attack or refute the beliefs of religious Others—this volume aims to challenge the problematic characterization of Iberian Jews, Muslims, and Christians as homogeneous groups. From the high Middle Ages to the end of the seventeenth century, Christian efforts to convert groups of Jews and Muslims, Muslim efforts to convert Christians and Jews, and the defensive efforts of these communities to keep their members within the faiths led to the production of numerous polemics. This volume brings together a wide ...
The Image of the Prophet between Ideal and Ideology
Disziplinäre Grenzen überschreitend zielt der Band darauf ab, die Visualisierung Mohammeds in der westlichen Welt vis-à-vis mit dessen Darstellung im Islam zu untersuchen. Dabei wird das Material weder geographischen oder sprachlichen Sphären zugeordnet noch werden Textquellen isoliert von bildlichen Darstellungen betrachtet. Die Beiträge eröffnen vielmehr einen thematischen und theoretischen Dialog über die Frage, wie der Prophet in verschiedenen kulturellen Traditionen, in Europa und Amerika und in der Welt des Islam, vom Mittelalter bis in die Gegenwart, vergegenwärtigt wurde.
Artistic and Cultural Dialogues in the Late Medieval Mediterranean
This book analyses the artistic and cultural legacy of Western Islamic societies and their interactions with Islamic, Christian and Jewish societies in the framework of the late medieval Mediterranean, from a range of multi-disciplinary perspectives. The book, organised in four parts, addresses the Andalusi legacy from its presence in the East and the West; analyses the relations and transfers between Al-Andalus and the artistic productions of the Christian kingdoms of the Iberian Peninsula; explores other manifestations of the Andalusi legacy in the fields of knowledge, construction, identity and religious studies; and reconsiders ornamental transfers and exchanges in artistic manifestations between East and West across the Mediterranean basin. Chapter 2 is open access under a CC BY 4.0 license.
Iconografía marginal en Castilla, 1454-1492
Dentro de la miniatura uno de los aspectos más destacables, desde mediados del siglo XIII hasta finales del siglo XV, es lo que se conoce como marginalia; término empleado por los historiadores del arte especializados en el estudio de ornamentación de manuscritos para designar la ilustración realizada en el margen o espacio ocupado entre la columna o columnas del texto y el límite del soporte empleado. La presente obra pretende sistematizar un repertorio de motivos marginalis empleados por los iluminadores que trabajaron en el ámbito geográfico de la Corona de castilla dese ca. 1454 hasta ca. 1492, años correspondientes al reinado de Enrique IV (1454-14749) y la primera parte del de su hermana Isabel (1474 1504) periodo especialmente floreciente en este arte.
Iconophages
An unprecedented art-historical account of practices of image ingestion from ancient Egypt to the twentieth century Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own bo...
Figuring Racism in Medieval Christianity
M. Lindsay Kaplan expands the study of the history of racism through an analysis of the medieval Christian concept of Jewish servitude. Developed through exegetical readings of Biblical figures in canon law, this discourse produces a racial status of hereditary inferiority that justifies the subordination not only of Jews, but of Muslims and Africans as well.
