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Popular Science
  • Language: en
  • Pages: 154

Popular Science

  • Type: Magazine
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  • Published: 1925-01
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  • Publisher: Unknown

Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.

April in Paris
  • Language: en
  • Pages: 327

April in Paris

Attracting over fifteen million visitors, the 1925 Paris Expo had an ambitious goal to create a new modernist style which would reflect the great scientific, industrial, and technological advances that produced a new spirit known as "modern." In April in Paris, author Irena R. Makaryk explores the theatre arts' vital cultural and political impact at this celebrated international exhibition. Drawing extensively from unexplored archival documents from France, Austria, and North America, April in Paris is the first major study to focus on theatre arts at the 1925 Paris Expo and the audacious Soviet contributions to this fair. Turning a spotlight on the uses and representations of theatricalized spaces, Makaryk analyses their political challenge at a time when relations between the West and the USSR were rife with tension. Copiously illustrated with beautiful colour and black and white illustrations, this book elucidates the complex role of the international fair as a catalyst for spirited cultural debate and for aesthetic change.

Popular Science
  • Language: en
  • Pages: 170

Popular Science

  • Type: Magazine
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  • Published: 1925-12
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  • Publisher: Unknown

Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.

The Later Works of John Dewey, Volume 14, 1925 - 1953
  • Language: en
  • Pages: 618

The Later Works of John Dewey, Volume 14, 1925 - 1953

  • Type: Book
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  • Published: 2008
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  • Publisher: SIU Press

This volume includes all Dewey's writings for 1938 except for Logic: The Theory of Inquiry (Volume 12 of The Later Works), as well as his 1939 Freedom and Culture, Theory of Valuation, and two items from Intelligence in the Modern World. Freedom and Culture presents, as Steven M. Cahn points out, the essence of his philosophical position: a commitment to a free society, critical intelligence, and the education required for their advance.

Popular Mechanics
  • Language: en
  • Pages: 352

Popular Mechanics

  • Type: Magazine
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  • Published: 1925-01
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  • Publisher: Unknown

Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.

The Great Gatsby - The Original 1925 Edition
  • Language: en
  • Pages: 218

The Great Gatsby - The Original 1925 Edition

  • Type: Book
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  • Published: 2013-11-20
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  • Publisher: e-artnow

This carefully crafted ebook: "The Great Gatsby - The Original 1925 Edition" is formatted for your eReader with a functional and detailed table of contents. The Great Gatsby is a novel written by American author F. Scott Fitzgerald and first published in 1925. It follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion for the beautiful Daisy Buchanan. Considered to be Fitzgerald's magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age or the Roaring Twenties that has been described as a cautionary tale regarding the American Dream. Francis Scott Key Fitzgerald (1896 – 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age, a term he coined. He is widely regarded as one of the greatest American writers of the 20th century.

Born 1925
  • Language: en
  • Pages: 378

Born 1925

None

An American Tragedy
  • Language: en
  • Pages: 896

An American Tragedy

  • Type: Book
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  • Published: 2018-06-17
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  • Publisher: e-artnow

Ambitious, but ill-educated, naïve, and immature, Clyde Griffiths is raised by poor and devoutly religious parents to help in their street missionary work. As a young adult, Clyde must, to help support his family, take menial jobs as a soda jerk, then a bellhop at a prestigious Kansas City hotel. There, his more sophisticated colleagues introduce him to bouts of social drinking and sex with prostitutes. Enjoying his new lifestyle, Clyde becomes infatuated with manipulative Hortense Briggs, who takes advantage of him. After being in a car accident in which a young girl loses her life, Clyde is forced to run away from the town in search for the new life.

The Later Works of John Dewey, Volume 16, 1925 - 1953
  • Language: en
  • Pages: 784

The Later Works of John Dewey, Volume 16, 1925 - 1953

  • Type: Book
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  • Published: 2008
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  • Publisher: SIU Press

Typescripts, essays, and an authoritative edition of Knowing and the Known, Dewey's collaborative work with Arthur F. Bentley. In an illuminating Introduction T. Z. Lavine defines the collaboration's three goals--the "construction of a new language for behavioral inquiry," "a critique of formal logicians, in defense of Dewey's Logic, " and "a critique of logical positivism." In Dewey's words: "Largely due to Bentley, I've finally got the nerve inside of me to do what I should have done years ago." "What Is It to Be a Linguistic Sign or Name?" and "Values, Valuations, and Social Facts, ' both written in 1945, are published here for the first time.

Motor City Movie Culture, 1916–1925
  • Language: en
  • Pages: 308

Motor City Movie Culture, 1916–1925

A study of how the film industry came to flourish in Detroit in the early years as locals were lured into the new picture theaters. Motor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit’s diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr’actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.