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Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world.
Lyra. Lucy. Percy. Once in a generation, a hero emerges whose story enthralls readers worldwide. Fireborn is an epic quest, perfect for fans of the His Dark Materials and The School for Good and Evil series, that will spin readers into a magical world like no other—and introduce them to an unforgettable new heroine named Twelve. Ember is full of monsters. Twelve gave up her name and identity to train in the art of hunting them—so she says. The truth is much more deadly: she trains to take revenge on those who took her family from her. But when Twelve’s new home is attacked, she’ll find herself on an unexpected journey, where her hidden past is inescapably intertwined with her destiny—and the very fate of her world.
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In Beau Monde on Empire’s Edge, Mayhill C. Fowler tells the story of the rise and fall of a group of men who created culture both Soviet and Ukrainian. This collective biography showcases new aspects of the politics of cultural production in the Soviet Union by focusing on theater and on the multi-ethnic borderlands. Unlike their contemporaries in Moscow or Leningrad, these artists from the regions have been all but forgotten despite the quality of their art. Beau Monde restores the periphery to the center of Soviet culture. Sources in Russian, Ukrainian, Polish, and Yiddish highlight the important multi-ethnic context and the challenges inherent in constructing Ukrainian culture in a place of Ukrainians, Russians, Poles, and Jews. Beau Monde on Empire’s Edge traces the growing overlap between the arts and the state in the early Soviet years, and explains the intertwining of politics and culture in the region today.