You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"It's a funny old house. They have this ceremony every summer . . . There's an old chapel, in the grounds of the house. It's half-derelict. The Hunters keep bees in there. Every year, on the same day, the family processes to the chapel. They open the combs, taste the honey. Take it back to the house. Half for them -" my father winced, as though he had bitten down on a sore tooth. "And half for us." Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure - someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic su...
Teva's life seems normal: school, friends, boyfriend. But at home she hides an impossible secret. Eleven other Tevas. Because once a year, Teva separates into two, leaving a younger version of herself stuck at the same age, in the same house... watching the new Teva live the life that she'd been living. But as her seventeenth birthday rolls around, Teva is determined not to let it happen again. She's going to fight for her future. Even if that means fighting herself.
None
From a wartime beach in Wales to the gleaming skyscrapers of twenty-first-century Manhattan, the extraordinary career of Fleet Street legend Harold Evans has spanned five decades of tumultuous social, political and creative change. Just how did a working class Lancashire boy, who failed the eleven-plus, rise to a position where he could so effectively give voice to the unheard? Born in the bleak years between the wars in the sprawl of Greater Manchester into a thrifty, diligent and loving family, Evans inherited only the privilege of his parents' example. Theirs was a work ethic that led Evans through night school classes, national service and a passionate commitment to regional life, and, finally, to his unassailably successful editorship of one of our greatest newspapers, the Sunday Times. Whether unpicking the murderous chaos of Bloody Sunday, pursuing a foreign correspondent's murderers or uncovering the atrocity of Thalidomide, this consummate newsman evokes his contagious passion: for the real story and the truth.
This lavish title presents the best work of Ira "Iraville" Sluyterman van Langewedye, a popular illustrator beloved for her idyllic paintings.
A refugee from city life, Constable Evan Evans hardly gets a chance to settle down in Llanfair, a secluded Welsh village with plenty of local color, before he must investigate the murder of two hikers on a mountain. Reprint. K.
A new pocket-book edition of the bestselling watercolour tip book by renowned artist Charles Evans. Discover 100 top tips for painting in watercolour that will take the mystery out painting, covering topics from creating depth, introducing harmony, how to deal with light and shade and how to create mood and atmosphere, this book was previously published as Charlie's Top Tips for Watercolour Artists. Contained inside one slim, notebook-size book that will fit perfectly in your kit bag for easy transportation while painting on the go, it includes quick, clever tips that are easy to follow and effective.
Who am I? What am I? When am I? Laura can't remember who she is. But the rest of the world knows. Because Laura is famous – a dying girl who was frozen until she could be cured. A real-life Sleeping Beauty. But what happens when you wake up one day and the world has moved on forty years? Could you build a new life – while solving the mystery of what happened to the old one? A darkly twisted thriller plunging a pre-tech girl into a futuristic world.
“A lucid, muscular, and often sly reflection” on the worth and purpose of historical scholarship by the award-winning author of The Third Reich Trilogy (Kirkus). In this volume, the renowned historian Richard J. Evans offers a fervent and deeply insightful defense of his craft and its importance to civilization. At a time when fact and historical truth are under unprecedented assault, Evans shows us why history is necessary. Taking us into the historians’ workshop, he offers a firsthand look at how good history gets written. In staunch opposition to the wilder claims of postmodern historians, Evans thoroughly dismantles the notion that a realistic grasp of history is impossible to attain. He then goes on to explain the deadly political dangers of losing a historical perspective on the way we live our lives. In the tradition of E.H. Carr’s What Is History? and G.R. Elton’s The Practice of History, Evans’ In Defense of History delivers “a model of lucid and intelligent historiographical analysis” (The Guardian, UK).