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Hotel Magnifique
The legendary Hotel Magnifique is like no other: a magical world of golden ceilings, enchanting soirées and fountains flowing with champagne. It changes location every night, stopping in each place only once a decade. When the Magnifique comes to her hometown, seventeen-year-old Jani hatches a plan to secure jobs there for herself and her younger sister, longing to escape their dreary life.Luck is on their side, and with a stroke of luminous ink on paper the sisters are swept into a life of adventure and opulence. But Jani soon begins to notice sinister spots in the hotel's decadent façade. Who is the shadowy maître who runs the hotel? And can the girls discover the true price paid by those who reside there - before it's too late?
England from a Side-Saddle
In 1697, a 34-year-old woman mounted her horse and set off on a 3,000-mile journey which over two summers would take her to every county in England. Her name was Celia Fiennes. It was a time when women didn't do such things. It could be gruelling, unhealthy and dangerous. As she discovered, most roads were unsigned, marshy tracks, lodgings could be filthy and vermin-ridden, and highwaymen lay in wait for the unwary. Luckily for us, Celia Fiennes kept a detailed diary about the places she saw and the people she met. She reports on the brutal justice system and political shenanigans of the time, and is fascinated by industry and commerce – workshops, shipping and especially coal-pits and tin mines. What she tells us is significant as the Industrial Revolution would soon change England forever. Yet this remarkable woman and her story have, until now, been largely neglected. In England From a Side-Saddle, historian and journalist Derek J. Taylor seeks to put that right. As we follow the route Celia Fiennes took, we see through her eyes an England of 320 years ago, and learn of the courage, determination and curiosity of one woman who was centuries ahead of her time.
Origin Of The Second World War
From the Back Cover: From the moment of its publication in 1961, A.J.P. Taylor's seminal work caused a storm of praise and controversy, and it has since been recognized as a classic: the first book ever to examine exclusively and in depth the causes of the Second World War and to apportion the responsibility among Allies and Germans alike. With crisp, clear prose and brilliant analysis, Taylor established that the war, "far from being premeditated, was a mistake, the result on both sides of diplomatic blunders." He argued that Hitler was more an opportunist than an ideologue who owed his successes to Great Britain's and France's tacking between resistance and appeasement, and to an American policy akin to "the significant episode of the dog in the night, to which Sherlock Holmes once drew attention. When Watson objected: 'But the dog did nothing in the night," Holmes answered: 'That was the significant episode.' "The Times Literary Supplement called The Origins of the Second World War "simple, devastating, superlatively readable, and deeply disturbing," and it remains so now-a groundbreaking book of enduring importance.
Asset Price Dynamics, Volatility, and Prediction
This book shows how current and recent market prices convey information about the probability distributions that govern future prices. Moving beyond purely theoretical models, Stephen Taylor applies methods supported by empirical research of equity and foreign exchange markets to show how daily and more frequent asset prices, and the prices of option contracts, can be used to construct and assess predictions about future prices, their volatility, and their probability distributions. Stephen Taylor provides a comprehensive introduction to the dynamic behavior of asset prices, relying on finance theory and statistical evidence. He uses stochastic processes to define mathematical models for pri...
Troublemaker
A.J.P. Taylor was arguably the most influential and popular British historian of the 20th century. This biography explores Taylor's activities as historian, Oxford don, broadcast journalist, husband and friend during a brilliant life punctuated by success, failure and frequent controversy.
A.J.P. Taylor
Biografi om den amerikanske historiker, forfatter m.m. Alan Taylor (1906-1990)
War by Timetable
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Extraordinary Cities
In this innovative, ambitious and wide-ranging book, Peter Taylor demonstrates that cities are the epicenters of human advancement. In exploring cities as sites through which economies flourish, by harnessing the creative potential of myriad communication networks, the author considers cities from varying temporal and spatial perspectives. Four stories of cities are told: the origins of city networks; the domination of cities by world-empires; the genesis of a singular modern creative interval in which innovation culminates in today's globalised cities; and finally, the need for cities to act as centres for human creativity to produce a more resilient global society in the current crisis century.
A Horse in the Bathroom
An affectionate look at contemporary English village life, from city-dwellers who decide to build their dream home "Maggie wants a house with lots of light. I need one with character. And what we do have in common doesn't help either--we're both stubborn." When Derek, a former TV journalist, and his partner Maggie decide to escape to the English countryside, they don't opt for the simple life. Instead they set about converting an old Cotswold stables in Stow-on-the-Wold into their dream home. Over the next two years, they wage guerrilla war on the Planning Office, are cursed by everything from collapsing walls to poison gas and dozy apprentices, run out of money, and meet some very strange characters--until in its final stages of construction, the place unaccountably floods. Along the way, Derek takes a quirky look at what makes villages work, or not, in the 21st century. Haunted by the words of a friend who accused him of romanticizing the rural, he investigates a dozen different villages. When it's over, Maggie and Derek survey The Old Stables with its 10 meters of shimmering glass and exposed oak beams, and Maggie asks, "Next time, why don't we try something bigger?"
