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Novelist, Poet, critic, and writer of short stories, Andre Pieyre de Mandiargues has won considerable praise in France for his highly imaginative work and exquisite poetic style. His 1967 novel La Marge won the Prix Goncourt. Following an introductory biographical chapter in this first full-length critical study of Mandiargues, David bond discusses Mandiargues’s novels and a selection of short stories, finding recurring thematic patterns in his haunting and magical dream world. Bond maintains that the French writer uses fantasy, symbolic statement, and mythical and frankly erotic motifs to explore some of the oldest, most persistent human preoccupation-time, destiny, the beyond, salvation, love-themes that for him defy logical expression. Bond concludes with a discussion of Mandiargues's relationship to other contemporary writers and especially to the surrealists. Bibliography, notes, and index are included, along with a rare painting of Mandiargues by his wife, Bona.
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A Gothic tale in the manner of the Marquis de Sade and Octave Mirbeau's Torture Garden. It was originally published anonymously in Paris in 1953. When the unnamed narrator crosses the causeway to the Chateau of Gamehuche, he enters a surrealist nightmare of debauchery and violence. The proceedings at the chateau are presided over by the master of Gamehuche, M. de Montcul, formerly the English diplomat, Sir Horatio Mountarse. With a cast of willing and not-so-willing acolytes, he serves up an over-refined cuisine of obscenity, sexual perversion and unspeakable cruelty. The book could be described as a dispatch written from the frontiers of depravity. J. Fletcher's translation is the first English version of Pieyre de Mandiargues disturbing cult classic.
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