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Directory of foreign diplomatic officers in Washington.
Exploring the politics and portrayal of the Other, Abdulla Al-Dabbagh, a professor of English Literature, analyses texts throughout Shakespeare's canon, including Othello, Romeo and Juliet, The Merchant of Venice, Antony and Cleopatra, Hamlet and King Lear.
Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the nineteenth century taking as a starting point Edward Said’s Orientalism (1978) in order to investigate the visual, fantasised, and imperialist representations of the East as well as the most exemplary translations of Oriental texts. The Victorians envisioned the East in many different modes or Orientalisms since as Said suggested ‘[t]here were, perhaps, as many Orientalisms as Orientalists’. By combining together Western and Oriental modes of art, this study is not only aimed at filling a gap in Victorian and Oriental studies but also at broadening the audiences it is intended for.
Complete with fresh perspectives, and drawing on the latest scholarship and biographical sources, The Life of D. H. Lawrence spans the full range of his intellectual interests and creative output to offer new insights into Lawrence’s life, work, and legacy. Addresses his major works, but also lesser-known writings in different genres and his late paintings, in order to reassess the innovative, challenging, and subversive aspects of Lawrence’s personality and writing Incorporates newly-discovered sources, including correspondence, a manuscript written in 1923-4, new evidence for important influences on his major novels and two previously unpublished images of the author Emphasizes Lawrence’s gregarious nature, his desire to collaborate with others, and his adaptability to different social situations Pays particular attention to the many interactions with literary advisors, editors, agents, publishers, and printers that were required for him to work as a professional writer Combines new material with astute commentary to provide a nuanced understanding of one of the most prolific and controversial authors of the twentieth century
This book offers a concise and detailed analysis of the United Arab Emirates (UAE) foreign aid as a main instrument in its foreign policy. Exploring the cultural factors that have impacted on the foreign policy behaviour of the UAE and its foreign aid, the author argues that Arabism and Islamic traditions have shaped the country’s foreign policy in general and foreign aid in particular. Examining in depth the motives and purposes of this large aid program through the lens of International Relations theories (mainly Constructivism and Rationalism), the book details the UAE’s foreign policy and aid program since its inception. Drawing on a comprehensive analysis of two major recipients of aid from the UAE – Palestine and Pakistan – the focus moves beyond the UAE to show how cultural factors have impacted on the behaviour of the authorities across the wider Arab Middle East. This critical assessment and analysis of the UAE’s foreign policy will be of particular interest to students, researchers and academics interested in Middle East studies, the Gulf States, Middle East politics, and foreign aid and foreign policy.
One can approach the notion of otherness or alterity in various ways: politically, aesthetically, ethically, culturally, religiously and sexually. Writing in Saylor.org, Lilia Melani defined the other as an individual who is perceived by the group as not belonging, as being different in some fundamental way. Any stranger becomes the Other. The Other in a society may have few or no legal rights, may be characterized as less intelligent or as immoral, and may even be regarded as sub-human. The collection of essays ‘Notions of Otherness’ addresses many of these approaches as ways of interrogating how varied yet how similar they are in relation to the individual literary texts.
Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interp...
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The Postcolonial World presents an overview of the field and extends critical debate in exciting new directions. It provides an important and timely reappraisal of postcolonialism as an aesthetic, political, and historical movement, and of postcolonial studies as a multidisciplinary, transcultural field. Essays map the terrain of the postcolonial as a global phenomenon at the intersection of several disciplinary inquiries. Framed by an introductory chapter and a concluding essay, the eight sections examine: Affective, Postcolonial Histories Postcolonial Desires Religious Imaginings Postcolonial Geographies and Spatial Practices Human Rights and Postcolonial Conflicts Postcolonial Cultures and Digital Humanities Ecocritical Inquiries in Postcolonial Studies Postcolonialism versus Neoliberalism The Postcolonial World looks afresh at re-emerging conditions of postcoloniality in the twenty-first century and draws on a wide range of representational strategies, cultural practices, material forms, and affective affiliations. The volume is an essential reading for scholars and students of postcolonialism.