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Proof
Proof is the ninth in an annual series of publications that features the best young practicing architects as selected by the Architectural League of New York in their annual Young Architects competition. Competition entrants wereasked to use the theme "proof" to frame their portfolios and critically evaluate their work. This required creating projectsthat acknowledge architectural design as a unique process that begins with a speculation and gains traction through the subsequent testing, confirming, checking, and rechecking that occurs before and after designs encounter the real world. Eachof the winners—Aranda/Lasch, Jinhee Park, ludens, PARA, PRODUCTORA, and Uni Architecture—confronted this year's theme with work that is original, and inspiring.
The Architecture and Cities of Northern Mexico from Independence to the Present
The states of Northern Mexico—Tamaulipas, Nuevo León, Coahuila, Chihuahua, Durango, Sonora, Sinaloa, and Baja California Norte and Sur—have architecture, urbanism, and landscape design that offer numerous lessons in how to build well, but this constructed environment is largely undervalued or unknown. To make this architecture better known to a wide professional, academic, and public audience, this book presents the first comprehensive overview in either English or Spanish of the architecture, urban landscapes, and cities of Northern Mexico from the country’s emergence as a modern nation in 1821 to the present day. Profusely illustrated with color and black-and-white photographs, maps...
Oeuvres illustrees
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Being the Mountain
The result of research PRODUCTORA initiated as winners of the Mies Crown Hall Americas Prize for Emerging Practice at Illinois Institute of Technology, Being the Mountain examines the relationship between architecture and the ground it occupies, an interaction so obvious-a building must touch the ground-that it often remains underexplored. Richly illustrated contributions by Carlos Bedoya, Frank Escher, Wonne Ickx, Véronique Patteeuw, and Jesús Vassallo revisit significant moments in architectural history that cast new light on the techniques and legacies of modernism, especially in settings like Mexico and California, where architects such as Ricardo Legorreta and John Lautner incorporated dramatic natural topography in their agendas. Additional essays investigate the role of the ground in the thought of Kenneth Frampton in the 1980s and Luis Moreno Mansilla in the 1990s, as well as point to important parallels between premodern land practices, twentieth-century art, and today's architecture.
L'Avant-scène
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