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The Road to Richmond
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The Road to Richmond
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The Road to Richmond
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The Road to Richmond
"Small was an articulate observer of all this. He wrote his memoirs with a keen sense of the irony of life during wartime, and with a gift for expression. His descriptions of the dead at Gettysburg, his characterizations of famous men such as Major General Oliver Otis Howard, and his reflections on the emotions of men under fire are outstanding. His account of prison life at Libby, Salisbury, and Danville is gripping.
George W. Alexander and Castle Thunder
Captain George W. Alexander was a controversial figure in Richmond during the Civil War, honored as a hero and condemned as a cruel prison superintendent. He was appointed Provost Marshal and put in charge of Castle Thunder in 1862, after escaping imprisonment at Fort McHenry. At his Confederate prison in Richmond, he oversaw prisoners of all types, including Confederates, women, slaves, Federal deserters, and spies. This biography traces Alexander's life from the U.S. Navy voyage with Commodore Perry to Japan, hiding in Canada after Lee's surrender, editorship of Washington DC's Sunday Gazette to his death in 1895. The main body of the text concentrates on Alexander's time at Castle Thunder...
The Grand Old Man of Maine
Best known as the hero of Little Round Top at Gettysburg and the commanding officer of the troops who accepted the Confederates' surrender at Appomattox, Joshua Lawrence Chamberlain (1828-1914) has become one of the most famous and most studied figures of Civil War history. After the war, he went on to serve as governor of Maine and president of Bowdoin College. The first collection of his postwar letters, this book offers important insights for understanding Chamberlain's later years and his place in chronicling the war. The letters included here reveal Chamberlain's perspective on military events at Gettysburg, Five Forks, and Appomattox, and on the planning of ceremonies to celebrate the ...
The Sixteenth Maine Regiment in the War of the Rebellion
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sacred and Secular Intersections in Music of the Long Nineteenth Century
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
