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Naturally talented Ada Okere Agbasimalo remains richly endowed with that incredibly fertile imagination that drives her passion to connect with her immediate environment, and weave interestingly curious scenes, into big stories. Her deep knowledge of the themes of her works, pairs up with her rare gift in creative writing, to keep her readers spellbound; as she crafts suspense upon suspense, with such masterly control that you CANNOT put down her books. In this third book of hers, where she narrates her true life experience as a teenage girl caught up in the cross fire of war, she practically brings you, quite in subdued trepidation, face to face with the situation of reality. The author hol...
Its a factual text with a tinge of fictional flair, a penetrable literature punctuated with humor and sarcasm, an inspiring work designed to encourage and lift the spirit of those who feel dejected, an outpouring of genuine sentiments truly deserving of attention, a dependable companion for the family, the student, the youth, and especially the woman and the man, and an inspiration to the efforts of international organizations and nongovernmental organizations [NGOs]. I have gone through the manuscript, and it made good reading. I believe this will be another knockout. Good luck (Professor Ethel-Dorris Umeh, Enugu State University of Technology, ESUT).
Waves of Destiny is an exposition of a tradition of cruelty and mans inhumanity to man. But it also showcases industry and resilience, kindness and love, peace and unity, motherhood, consideration; and focus. What a juxtaposition, you would say!
The Forest Dames is a novel based on war experiences that must be told in order to free the mind, disseminate information and prick the conscience of war agitators. It is a true life story fictionaised to reduce impact. The book tells the story of a young girl who lived with her parents in the relatively calm and peaceful British colony of Nigeria, where shortly after independence compatriots went for each other's throats. This soon exploded into a full blown civil war and from that time onwards, nothing was ever the same again. The war came with ugly incidences, one of which was the hunt for and abduction of girls and women to be forcibly converted to bed mates. Families sought hiding place...
Renowned playwright Osonye Tess Onwueme's powerful new drama illuminates the effect of national and global oil politics on the lives of impoverished rural Nigerians. What Mama Said is set in the metaphorical state of Sufferland, whose people are starving and routinely exploited and terrorized by corrupt government officials and multinational oil companies-that is, until a voice erupts and moves the wounded women and youths to rise up and demand justice. Onwueme's powerful characters and vibrant, emotionally charged scenes bring to life a turbulent movement for change and challenge to tradition. Aggrieved youths and militant women-whose husbands and sons work in the refineries or have been sl...
Naturally talented Ada Okere Agbasimalo remains richly endowed with that incredibly fertile imagination that drives her passion to connect with her immediate environment, and weave interestingly curious scenes, into big stories. Her deep knowledge of the themes of her works, pairs up with her rare gift in creative writing, to keep her readers spellbound; as she crafts suspense upon suspense, with such masterly control that you CANNOT put down her books. In this third book of hers, where she narrates her true life experience as a teenage girl caught up in the cross fire of war, she practically brings you, quite in subdued trepidation, face to face with the situation of reality. The author hol...
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This volume forms part of the Applied Linguistics and Language Study collection that looks at the field of analysing and appreciating literary texts. First published in 1975, this text makes a considerable contribution to extending our view of the principles underlying language teaching and curriculum design. The author begins by distinguishing the idea that discipline from the pedagogic subject in order to demonstrate that stylistics is Janus like in the way it can be treated, for example, at school or university, as a way from linguistics to literary study or the reverse. To understand this bidirectionality he explains distinctions between the linguist’s text and the critic’s messages by introducing the concept of discourse as a means through which to understand the communicative value of passages of language.
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