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With a mixture of hope and melancholy, young Victor leaves the home of his foster mother to begin his working life. His journey takes him to a remote island, where he visits his only relative - an uncle he has never met. The old man, a lifelong bachelor, lives in a barricaded mansion, enveloped by an atmosphere of decay.The two men are immediately at odds. With his uncle hardly speaking to him, Victor finds himself a virtual prisoner on this mysterious island. As the frost between the men slowly begins to thaw, Victor realises he must confront his own past to regain control of his life.
Seemingly the simplest of stories—a passing anecdote of village life— Rock Crystal opens up into a tale of almost unendurable suspense. This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warn...
This 1948 text was the first complete study of Austrian prose writer Adalbert Stifter's work to appear in English.
Provides a view of the late Stifter as a forerunner of twentieth-century modernism. Adalbert Stifter has always been viewed as a natural heir to the Great Classical tradition, even by those critics who detect disturbing subtexts in his fiction. But he should be viewed quite differently: however well disguised, heis in truth a closet modernist, and a major trailblazer for Kafka and the Absurd. This is most evident in his late fiction, which has been almost universally ignored, dismissed or disparaged by his critics. His last novel Witiko in particular has been conspicuously neglected by both nineteenth- and twentieth-century critics. Ragg-Kirkby demonstrates -- largely by way of close reading -- that this is Stifter's extreme masterpiece. Beneath the surface of Biedermeier stuffiness is a vision of fracture, emptiness, meaninglessness, and mania not only more radical than that of any other 19th-century author, but arguably more radical than that of any 20th-century author, precisely because there is such a disjuncture between text and sub-text. In his final novel, Stifter simply leaves the future behind. Helena Ragg-Kirkby is a lecturer in German at the University of Sheffield.
This major study reassesses Adalbert Stifter's work within the context of the tradition of nineteenth-century European fictional prose.
Seemingly the simplest of stories—a passing anecdote of village life— Rock Crystal opens up into a tale of almost unendurable suspense. This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warn...
Narratives Unsettled argues by way of close readings of three very different German-language writers that only if we conceive of narrativity unburdened by plot can we properly account for radical forms of digression.