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Playing the Games
Playing the Games is a duo of plays focussing on the London 2012 Olympics, it includes: Taking Part by Adam Brace Lucky Henry, a Congolese security guard, has set his sights on representing his country at the 2012 Olympics. Only one problem; he's a terrible swimmer and his Russian coach wants to fly home on the first day of training. Everyone loves an underdog – think Eddie the Eagle or Eric the Eel. Follow Henry's journey from deep end straggler to Olympic hopeful as the two men try to fulfil their dreams at the London games. After The Party by Serge Cartwright Sean and Ray are best friends from Stratford. Once a promising DJ double act, now they're stuck in a rut: 30ish, unemployed but still clinging to a fantasy of making it in the music industry. With a baby on the way and the world about to arrive on their doorstep for London 2012, it could be the perfect opportunity for them to make something of their lives...
Stovepipe
When a mercenary goes missing en route to Iraq, his closest surviving friend embarks on a hunt across the post-war Middle East.
Ditch
Stark and imperative, but shot through with a sense of warm humanity, Beth Steel's debut play Ditch is a clear-eyed look at how we might behave when the conveniences of our civilisation are taken away, and a frightening vision of a future that could all too easily be ours.
The Hidden Beast
A dragon appears in Spooksville and intends to destroy the entire town unless its jewels and gold are returned.
Lidless
Frances Ya-Chu Cowhig's powerful drama Lidless asks important and difficult questions: is guilt a necessary form of moral reckoning, or is it an obstacle to be overcome? Will the price of national political amnesia be paid only by the next generation - the daughters and sons who were never there? It's been fifteen years since Guantánamo, fifteen years since Bashir last saw his U.S. Army interrogator, Alice. Bashir is now dying of a disease of the liver, an organ that he believes is the home of the soul. He tracks down Alice in Texas and demands that she donate half her liver as restitution for the damage wrought during her interrogations. But Alice doesn't remember Bashir; a PTSD pill trial...
Against All Odds
Struggling to keep her corporate-recruiting firm afloat, Manhattan executive Melissa Grant has no time for love. Then Adam Roundtree walks into her life. But the charismatic businessman is no ordinary client. He's the man who can bring Melissa's career—and her heart—to life…until a shocking discovery jeopardizes their blossoming relationship. For Melissa and Adam, fate couldn't have played a crueler trick: their families have been embroiled in a stormy feud for generations, turning former business partners into lifelong enemies and leaving a bitter legacy that casts a long shadow. Then someone starts sabotaging Adam's work, and everything points to Melissa. Now they could lose everything…unless their love is strong enough to close the door on the past and open their hearts to the promise of the future.
A Youngster's Fulkland
During a womanizing phase in his life, Dick meets a sexy young lady. She is a closed book with mostly blank pages, with a brain to go with her beauty. Dick's two buddies think she is just the perfect fit for him. All the while he has some unfinished business to attend to, in his side-splitting manner.
Contemporary British Drama
This book provides a critical assessment of dramatic literature since 1995, situating texts, companies and writers in a cultural, political and social context. It examines the shifting role of the playwright, the dominant genres and emerging styles of the past decade and how they are related.Beginning with an examination of how dramatic literature and the writer are placed in the contemporary theatre, the book then provides detailed analyses of the texts, companies and writing processes involved in six different professional contexts: new writing, verbatim theatre, writing and devising, Black and Asian theatre, writing for young people and adaptation and transposition. The chapters cover contemporary practitioners, including Simon Stephens, Gregory Burke, Robin Soans, Alecky Blythe, Kneehigh Theatre, Punchdrunk, Kwame Kwei-Armah, Edward Bond, Filter Theatre and Headlong, and offers detailed case-studies and examples of their work.
Clockwork
Old friends Carl and Mikey must say their farewells this evening as Mikey makes plans to leave the care home that has become their new stomping ground. Troll Face just wants to keep things running to time and Etienne is forced to see out his community service with two old geezers scrounging for fags. Shut away from a world where pensioners steal in order to feed themselves and dreaming of a youthspent in the dingy corner of a seedy club, two lifelong friends are forced to say their goodbyes. Whenmemory is fading and the past is clouded with a lifetime of drink and drugs, what is true and how to live is called into question. Laura Poliakoff's debut play is a powerful call-to-arms for a generation of twenty-year-olds not considering their own old age. How we care for our elderly, where we put them and the sacrifices that are made fuels this often comic yet touching play.
