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An entertaining yet socially acerbic and poignant tale of old age for the 21st century.
Old friends Carl and Mikey must say their farewells this evening as Mikey makes plans to leave the care home that has become their new stomping ground. Troll Face just wants to keep things running to time and Etienne is forced to see out his community service with two old geezers scrounging for fags. Shut away from a world where pensioners steal in order to feed themselves and dreaming of a youthspent in the dingy corner of a seedy club, two lifelong friends are forced to say their goodbyes. Whenmemory is fading and the past is clouded with a lifetime of drink and drugs, what is true and how to live is called into question. Laura Poliakoff's debut play is a powerful call-to-arms for a generation of twenty-year-olds not considering their own old age. How we care for our elderly, where we put them and the sacrifices that are made fuels this often comic yet touching play.
Mudlarks is a tragic, beautifully realised play about three young men trapped at the wrong end of the river. On the muddy banks of the Thames, downstream from the bright lights of London, three boys hide from the police after a night of recklessness. Over the course of the freezing night their fears, secrets and dreams emerge, collide and combust revealing the desperate frustration of lives barely led but already ravaged. As morning dawns, their options diminish and just two questions remain: do they have the power to determine their own fates, or are they destined to sink into the mud? Mudlarks heralds the arrival of an urgent new voice in British theatre. Essex-born Vickie Donoghue'spowerful debut exposes the culture she grew up with and sees on a daily basis. With brutal honesty she explores teenagers' impulse to dream, and its futility in a reality that has no space for dreamers.
HighTide Theatre Festival was founded in 2006 and has since become one of the most prolific homes of new writing. It has been described by the Telegraph as "one of the little gems of the artistic calendar in Britain" and by the Daily Mail as "famous for championing emerging playwrights and contemporary theatre". 2016 marks ten years of HighTide, during which time numerous emerging playwrights and new plays have shot to prominence. This anniversary volume brings together four of the key plays that have come out of HighTide Theatre Festival's programme during this time: Ditch by Beth Steel is a clear-eyed look at how we might behave when the conveniences of our civilisation are taken away, and...
We value truth in this family. Carpe Diem. Seize the day. We’re all just food for worms. So tell them you love them. Have fun, mount a donkey, whatever, just feel alive. Charades is fun, right, with those people, yes, your family, the ones you try to get away from at Christmas. For the Pilgrims though it’s not simply a family affair, this is more than a game, this.... Is an Eisteddfod. This bawdy new play from acclaimed young playwright Luke Barnes, is inspired by Suffolk folklore and explores the idea of family and identity, stories and how they are told.
Am I a virgin? I think I am. I mean it went in her but it was floppy and it wasn’t very nice so I think I am a virgin. I’m going to say I am. Will look better on me uni applications. Liverpool, 1989. Greg is thirteen. He has just started secondary school. He earns pocket money sweeping up hair in a barbers. Girls are aliens. Liverpool FC are everything. Edinburgh, 2012. Greg has an extraordinary story to tell you. Bottleneck is a vibrant coming-of-age story about becoming a man through adventures both big and small. It is about a notorious city; Liverpool. How the outside worlds views it. And how it views the outside world. Botleneck was first presented by HighTide Festival Theatre at the Edinburgh Festival, August 1 2012, directed by Steven Atkinson.
The old lady on this train is looking at me, staring at me, she's been doing it since New Eltham, I can feel her eyes on the sweat on my neck. I turn ro catch her out, and she flicks her head back to her book, like she's subtle, but she ain't. I wish she'd just punch me, y'know? The punch I can take, but the look . . . all these frightened half-glances they . . . they just . . . When a violent encounter leads to a whirlwind romance, young Rahul is more than willing to be caught up. But in the aftermath of 7/7, his world changes in ways he cannot control, drawing him into ever-darker places as he struggles to remain part of a British society that now distrusts him on sight. Sweeping between the paranoid London of 2005 and the euphoric city of the 2012 Olympics, HighTide Escalator writer Vinay Patel's debut play is an honest, humorous, hopeful play about wanting to love and be loved. By your crush. By your friends. By your country. True Brits received its world premiere on 31 July 2014 at the Assembly Hall, Baillie Room, Edinburgh.
A collection of four plays by new American writers curated from the Emerging Writers Group at the Public Theater, New York. These plays represent the finest works developed by the Public Theater, addressing contemporary social preoccupations: race, class, heritage, economic hardship, family values and identity. The plays included are: Perish by Stella Fawn Ragsdale: when Porter's father kidnaps her son, she must go back to the woods of East Tennessee to find him, where she is distracted by a mysterious firebird. Textured with poetry and grit, this play follows the plight of women in Appalachia and the disappearance of the working class. The Hour of Feeling by Mona Mansour: in 1967, fuelled b...
A boy wakes up in a field somewhere in London. He's a door-to-door salesman: a pedlar boy. An encounter with an old acquaintance sends him into a frenzied questioning of everything: his life, his world, where he's coming from and where he's going to. peddling received its world premiere at Hightide Festival on 10 April 2014, performed by Harry Melling, before transferring to 59E59 Theatre, NY, for a four-week run.