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Ushering in a new era of confessional music that spoke openly about experiences of trauma, depression, and self-loathing, Nine Inch Nails' seminal album, The Downward Spiral, changed popular music forever—bringing transgressive themes of heresy, S&M, and body horror to the masses and taking music technology to its limits. Released in 1994, the album resonated across a generation, combining elements of metal, industrial, synth-pop, and ambient electronica, and going on to sell over four million copies. Now, Into the Never explores the creation and cultural impact of The Downward Spiral, one of the most influential and artistically significant albums of the twentieth century. Inspired by Dav...
Nathan Finewax is a cleaner in a hospital steadily falling apart. He's working on a ward where staff cheat, lie and steal to get ahead, where targets, death tolls and finance overrule patient care, and every day the same mistakes are repeated in a seemingly unstoppable wave of failures. Nathan is sucked deeper into the hospital routine as he dreams of escape, trying to avoid one day becoming a patient himself in this house of horrors. Based on the author's experience working in the NHS, Politics of the Asylum is a nightmare vision of the modern healthcare system. Adam Steiner's challenging debut is a novel for our times, and an emotive and highly original story of people trying to do more than simply exist.
Poetry. California Interest. SHRINKING ULTRAVIOLENT is the manifesto of one of nature's wallflowers. Often out of her comfort zone in this fast-paced urban world, forced to navigate private and public issues of gender identity, mental health and depression, this earnest narrative still manages to keep a sense of humour. Punning and poignant, this is a modern book of hope for those who feel inadequate in their lives. "There is a fierce perceptive power at work in these poems; one which is based on experience and translated into an intoxicating range of images and words. Rebecca Bird possesses an individual voice and she has a genuine talent for arresting images. These are poems about love, life, identity and transgender issues. They startle with their honesty."--Maria Taylor
A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer.
An education in a portmanteau: George Steiner at The New Yorker collects his best work from his more than 150 pieces for the magazine. Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.
Adam Dalgluish is called to the elegant Steen Psychiatric Clinic to investigate why the head of the clinic, Enid Bolan was found with a chisel through her heart.
Bella's favourite food in the world is chocolate but where does the chocolate come from and how is it made? With the help of her friend, the magic Quetzal bird, Bella flies to West Africa and discovers that chocolate doesn't just come from supermarkets. Suggested level: junior, primary.
"If Gossip Girl and Riverdale had a love child, it would be PSU." -- #1 NYT Bestselling Author Rachel Van DykenSpring Break always means chaos for the Palm South University crew, but this year is a little different... for many reasons.After the shocking discovery last semester, Jess finds her self torn between what feels like an impossible choice, and she's not the only one. Some hearts break while others are made whole in the most explosive season of Palm South University yet.
Vygotsky’s sociocultural theory of cognitive development in his own words—collected and translated by an outstanding group of scholars. “A landmark book.” —Contemporary Psychology The great Russian psychologist L. S. Vygotsky has long been recognized as a pioneer in developmental psychology. But his theory of development has never been well understood in the West. Mind in Society corrects much of this misunderstanding. Carefully edited by a group of outstanding Vygotsky scholars, the book presents a unique selection of Vygotsky’s important essays, most of which have previously been unavailable in English. The mind, Vygotsky argues, cannot be understood in isolation from the surro...
Shard Cinema tells an expansive story of how moving images have changed in the last three decades and how they changed us along with them, rewiring the ways we watch, fight, and navigate an unsteady world. With a range that spans film, games, software, architecture, and military technologies, the book crosses the twentieth century into our present to confront a new order of seeing and making that took slow shape: the composite image, where no clean distinction can be made between production and post-production, filmed and animated, material and digital. Giving equal ground to costly blockbusters and shaky riot footage, Williams leads us from computer-generated “shards” of particles and debris to the broken phone screen on which we watch those digital storms, looking for the unexpected histories lived in the interval between.